Only weeks after revealing their designs for 425 Park Ave., Foster + Partners have now redesigned one of new york's most refined civic spaces and buildings: The Grand Central Station, which turns 100 this February.

This Building hosts ten times the amount of visitors it was originally designed (75,000 people a day) and Foster + Partners has been commissioned to design a project to revive and update the public space, improve the structure and consequently overcrowding all related infrastructure and surrounding landscape.

Yesterday, at the MAS 2012 Summit, Norman Foster was one of three architects to present his re-imaginings of the station, which turns 100 this February.

Grand Central Terminal is one of New York’s greatest landmarks and contains perhaps the city’s finest civic space. However, over time it has become a victim of its own success. A building designed to be used by 75,000 people per day now routinely handles ten times that number with up to a million on peak days.

The result is acute overcrowding; connections to the rail and subway lines beneath the concourse are inadequate; and the arrival and departure experience is poor. Added to that, the surrounding streets are choked with traffic and pedestrians are marginalised. The rapid growth of tall buildings in the vicinity has all but consumed the Terminal.

Within the station, the proposal creates wider concourses, with new and improved entrances. Externally, streets will be reconfigured as shared vehicle/pedestrian routes, and Vanderbilt Avenue fully pedestrianised. The proposal also creates new civic spaces that will provide Grand Central with an appropriate urban setting for the next 100 years.

The 42nd street entrance to the south, where access is severely constrained, will be widened to fill the entire elevation by using existing openings, thus greatly easing accessibility. The access via tunnels on the northern approach from Park Avenue will be rebalanced in favour of pedestrians by creating grander, enlarged underground spaces through the Helmsley building. Lexington Avenue to the east will be tree-lined with wider sidewalks and will benefit from more prominent and enhanced tunnel access to Grand Central Terminal. The idea already mooted to pedestrianise Vanderbilt Avenue to the west would be extended. The street would be anchored to the south by a major new enlarged civic space between 43rd Street and the west entrance to the Terminal and to the north by a plaza accommodating new entrances to the East Side Access lines. Trees, sculpture and street cafes will bring life and new breathing space to Grand Central Terminal.

At platform and concourse levels where congestion is particularly acute for travellers on the 4, 5, 6 and 7 lines, we will radically enlarge the connecting public areas, to address the huge increase in passenger traffic in the last 100 years. This will transform the experience for arriving and departing commuters and passengers. A generous new concourse will be created beneath the west entrance plaza on Vanderbilt Avenue connecting directly into the main station concourse.

This visionary masterplan with its focus on pedestrians and travellers will allow Grand Central Terminal to regain the civic stature that it deserves as a major New York landmark and an appropriate twenty-first century transport hub.

‘The Municipal Arts Society’s call to study the Next 100 years of Grand Central Terminal in the wider context of the city and its public realm represents an important and welcome debate that will help shape the future form of the city. The quality of a city’s public realm reflects the level of civic pride and has a direct impact on the quality of everyday life. With the advent of the Long Island Rail Road East Side Access, along with the plan to re-zone the district, there has never been a better opportunity to tackle the issues of public access and mobility around one of the greatest rail terminals in the World.’

Lord Foster

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Norman Robert Foster (Reddish, Greater Manchester, United Kingdom, 1 June 1935) is a British architect, founder of Foster + Partners, and one of the leading figures in contemporary architecture. His career is closely associated with the development of high-tech architecture, structural innovation, and the integration of environmental considerations into buildings and infrastructure.

He studied architecture and urban planning at the University of Manchester, graduating in 1961. He subsequently received a Henry Fellowship to continue his education at Yale University in the United States, where he earned a master's degree in architecture and met Richard Rogers. In 1963, he co-founded Team 4 with Rogers, Su Rogers, Georgie Wolton, and Wendy Cheesman. Following the group's dissolution, he established Foster Associates in London in 1967 with Wendy Cheesman. The practice was later renamed Foster + Partners and is now headquartered in London, with offices worldwide.

His early work explored technological innovation, prefabrication, and spatial flexibility, influenced in part by his collaboration with Richard Buckminster Fuller. Notable early projects include the Willis Faber & Dumas headquarters in Ipswich (1975) and the Sainsbury Centre for Visual Arts in Norwich (1978). His international reputation grew with the Hongkong and Shanghai Banking Corporation headquarters in Hong Kong (1985), Stansted Airport in London (1991), and the Commerzbank Tower in Frankfurt (1997).

His career encompasses architecture, urban planning, and infrastructure projects across numerous countries. Among his best-known works are the reconstruction of the Reichstag in Berlin (1999), the Great Court of the British Museum (2000), the Millennium Bridge (2000), and London City Hall (2002). Other major projects include the Bilbao Metro, Canary Wharf Underground Station, 30 St Mary Axe in London (2004), the Millau Viaduct in France (2004), the Hearst Tower in New York (2006), Terminal 3 at Beijing Capital International Airport (2008), Apple Park in Cupertino (2017), and Bloomberg's European headquarters in London (2017).

Alongside his architectural practice, Foster has pursued research and educational initiatives focused on the future of cities. In 1999, he established the Norman Foster Foundation, whose headquarters opened in Madrid in 2017. The foundation promotes interdisciplinary research in architecture, urbanism, technology, and infrastructure, preserves his professional archive, and develops international educational programmes. In 2024, the Norman Foster Institute began its academic activities, focusing on the study of sustainable cities.

His numerous honours include the Royal Gold Medal from the Royal Institute of British Architects (1983), the Gold Medal from the American Institute of Architects (1994), the Pritzker Architecture Prize (1999), the Praemium Imperiale for Architecture (2002), and the Prince of Asturias Award for the Arts (2009). He was knighted in 1990 and appointed a life peer in 1999, taking the title Lord Foster of Thames Bank.

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Published on: October 19, 2012
Cite:
metalocus, PEDRO NAVARRO
"Grand Central Terminal for 2013 Centenary by Foster" METALOCUS. Accessed
<https://www.metalocus.es/en/news/grand-central-terminal-2013-centenary-foster> ISSN 1139-6415
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