The new National Stadium of Japan in Tokyo, located in Shinjuku City and designed by Kengo Kuma for the Olympic Games, integrates Japanese tradition and blends in with the forest of the Meiji Shrine by using multi-layered eaves, a component of traditional Japanese architecture, a structure rooted in the Japanese climate. In this way, the stadium contributes to creating environmentally-friendly architecture by blocking sunlight and bringing a pleasant breeze into the stands.

The team manages to integrate the building into the rich vegetation of the Meiji Shrine by reducing the height of the stadium to a minimum and introducing native vegetation into the eaves. The large flat roof, which is cantilevered, is formed from approximately 60 m long frames made of domestic timber and steel.
Kengo Kuma's project manages to improve the thermal environment by utilizing the wind in the stands and on the pitch. By getting the seasonal wind to come in effectively, heat and humidity are removed from inside the stadium through the top. Because of this, the spacing between the eaves louvers varies according to orientation, with the south-southeast side being narrower to capture the summer breeze and direct it towards the stands, while the north side is wider to deflect the winter wind and direct it towards the inside of the roof.

In terms of construction, superior structural performance and ease of working within the limited construction period require superior quality and durability. The cantilevered roof and the stands are built with a simple steel frame, consisting of the same repeated structure. For the foundations and spectator seating, prefabricated materials were used to a large extent. In addition, the soft damping structure on the first floor and the lower level with oil dampers effectively absorb the energy of earthquakes, making it much safer.
 

Description of project by Kengo Kuma

Stadium with Japanese-ness, blending in with the surrounding Meiji Shrine forest - The exterior of the new National Stadium integrates Japanese-ness with multilayered “eaves.” Eaves are a component of traditional Japanese architecture, an established structure rooted in the Japanese climate. They contribute to creating environmentally friendly architecture by blocking sunlight and bringing a pleasant breeze to the stands.

Furthermore, in order to blend in with the rich greenery of the Meiji Shrine’s Outer Garden, the stadium height is minimized and the eaves are vegetated with native species. The large, flat roof is cantilevered, consisting of frames about 60m-long made of domestic wood and steel. This world-class stadium combines Japanese tradition, climate and technology.

Improved thermal environment for the stands by utilizing wind - “Kaze no Obisashi (grand eaves of the wind)” improves the thermal environment of the stands and field by effectively bringing in seasonal wind, while removing the heat and humidity from inside the stadium through the top. The spacing (opening ratio) between the lattices on the eaves varies according to the direction of the building. The south-southeast side is narrower to capture the summer breeze and direct it to the stands, whereas the north side is wider to divert the wind in the winter and direct it inside the roof.

Seeking superior structural performance and workability - In order to achieve superior quality and durability within the limited construction period, the cantilevered roof and stands are constructed of a simple steel frame, made of the same structure repeated in the circumferential direction. Precast materials were heavily used for the foundation and spectators’ seats. Employing a soft-first-story damping structure, the soft lower level with oil dampers effectively absorbs earthquake energy.

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Architects
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Project team
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Kengo Kuma & Associates, Minoru Yokoo, Kenji Miyahara, Tomonori Kusagaya, Soichiro Harada, Genki Yada, Tomohiro Matsunaga, Tsuyoshi Kanda, Masahiro Minami.
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Collaborators
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TAISEI DESIGN PLANNERS ARCHITECTS & ENGINEERS, Kengo Kuma & Associates, AZUSA SEKKEI.
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Client
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Japan Sport Council.
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Builder
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Developer
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New National Stadium Development Project Taisei Corporation, Azusa Sekkei Co., Ltd., and Kengo Kuma and Associates Joint Venture.
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Area
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Site area.- 109,800 sqm. Building coverage area.- 69,600 sqm. Total floor area.- 192,000 sqm.
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Dates
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Design.- From January 2016 to January 2017. Construction.- From October 2016 to November 2019.
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Location
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Shinjuku City, Japan.
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Photography
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Taisei Corporation. Azusa Sekkei Co., Ltd. Kengo Kuma and Associates. Joint Venture. Jose Juan Barba.
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Kengo Kuma was born in Yokohama (Kanagawa, Japan) in 1954. He studied architecture at the University of Tokyo, finishing his degree in 1979. In 1987, he opened the "Spatial Design Studio". In 1990 he founded "Kengo Kuma & Associates" and extended the study to Europe (Paris, France) in 2008. Since 1985 and until 2009, has taught as a visiting professor and holder at the universities of Columbia, Keio, Illinois and Tokyo.

Notable projects include Japan National Stadium (2019), V&A Dundee (2019), Odunpazari Modern Art Museum (2019), and The Suntory Museum of Art (2007).

Kengo Kuma proposes architecture that opens up new relationships between nature, technology, and human beings. His major publications include Zen Shigoto(The complete works, Daiwa S hobo)Ten Sen Men (“point, line, plane”, IwanamiShoten), Makeru Kenchiku (Architecture of Defeat, Iwanami Shoten), Shizen na Kenchiku(Natural Architecture, Iwanami Shinsho), Chii sana Kenchiku (Small Architecture, IwanamiShinsho) and many others.

Main Awards:

· 2011 The Minister of Education, Culture, Sports, Science and Technology's Art Encouragement Prize for "Yusuhara Wooden Bridge Museum."
· 2010 Mainichi Art Award for “Nezu Museum.”
· 2009 "Decoration Officier de L'Ordre des Arts et des Lettres" (France).
· 2008 Energy Performance + Architecture Award (France). Bois Magazine International Wood Architecture Award (France).
· 2002 Spirit of Nature Wood Architecture Award (Finland).
· 2001 Togo Murano Award for “Nakagawa-machi Bato Hiroshige Museum.”
· 1997 Architectural Institute of Japan Award for “Noh Stage in the Forest”. First Place, AIA DuPONT Benedictus Award for “Water/Glass” (USA).

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Published on: July 17, 2021
Cite: "Japanese tradition, climate and technology. The new Tokyo National Stadium by Kengo Kuma" METALOCUS. Accessed
<https://www.metalocus.es/en/news/japanese-tradition-climate-and-technology-new-tokyo-national-stadium-kengo-kuma> ISSN 1139-6415
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