Located on a wooded plot the Maison Terrebonne, designed The Shed Architecture, is the transformation of a typical 90's bungalow into a house for a person living alone.

It is built on the preexisting foundations, preserving one of the principal features of the original house: split levels.

A thorough building overhaul of the lower level, in combination with a larger second floor, allow to create open rooms with an abundance of natural lighting.

La Maison Terrebonne is a project of La SHED Architecture for the transformation of an old typical house. The split levels that characterized the preexisting building is preserved: the access level consists of garage, lobby and office, in the next one there are the kitchen, the dining room and theliving rooms, and the bedroom with its barthroom is on the upper level.

Along with a large white block at the crossroads between the levels, the stairs are a unifying element that connect and separate the spaces while giving privacy to the rooms.

Description of the projet by La SHED Architecture

The house now features three split levels that are each designed for a distinct set of functions that help establish a clear hierarchy between intimate and communal zones. These zones are designed to be very open in relation to each other and are only divided by the threshold created by the flights of stairs. Directly accessible from the carport and at the same height as the ground outside is the first of three levels that contains both the entrance vestibule as well as a small office. Even though this entry zone is also open, it is concealed from the living spaces on the level above.

Once in the center of the staircase leading to the second level, the visitor comes face to face with a large window with a view on the woods behind the home. The kitchen can be found there, organized around a large wooden island whose materials stand out in relation to the neutral white walls. Along the large bay window adjoining the kitchen can be found the dining and living rooms. At the crossroads of all these levels is located a pure white block that naturally reinforces the intimacy between zones and around which gravitates circulation within the home. This block has a powerful effect on the upper portion of each level as a result of it being unattached to the ceiling, which allows for both an unobstructed line of sight and opulent natural lighting.

The staircase and corridor leading to the owner’s private suite on the top level are located behind this central block and have a view on the inferior levels. Inside the cube and accessible only from the bedroom is a hidden bathroom designed with simple, clean lines. Though without a door, intimacy is preserved by the configuration of walls leading to the bathroom. Inside the bathroom, floor and walls are covered in a pearl white glass mosaic and it is modestly furnished with two white, minimalist blocks, bathtub and vanity. In order to accentuate the furniture’s monolithic appearance, doors with a smooth matte finish were placed on either side to avoid creating divisions at the front while a Corian sink was molded into the counter above. A thin setback kick space creates the impression that it isn’t attached to the floor while giving the bathroom a sense of space and lightness.

The bedroom is located at the very back and opens partially to the living spaces below. In order to limit visibility from the outside into this room, windows were voluntarily limited in height and therefore create long strips of light. At the rear, the room extends towards the woods by way of a loggia. From here the surrounding natural environment can be viewed without any obstacles thanks to the transparency of the glass railing barrier.

The exterior is covered in natural eastern cedar siding that will fade over time to eventually further bear a resemblance to the bark of trees in the surrounding woods. Simple openings surrounded by black frames serve to punctuate the sheer volume of the house. The former garage has been replaced with a covered parking space that’s open on either end, and thus gives the impression that it was emptied. This openness creates a sense of transparency that, like all large openings, provides the space for nature to reclaim its place.

El dormitorio se encuentra en la parte trasera y se abre parcialmente a los espacios de abajo. Con el fin de limitar la visibilidad de esta habitación desde el exterior, las ventanas se limitaron en altura, creando largas tiras de luz. En la parte de atrás, la habitación se extiende hacia el bosque por medio de una galería. A partir de aquí el entorno natural que lo rodea se puede ver sin ningún tipo de obstáculos gracias a la transparencia de la barandilla de vidrio. 

CRÉDITOS.-

Arquitectos.- La SHED Architecture.
Fechas. Terminado.- Octubre 2014.

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la SHED architecture. The firm was established when architect associates Sébastien Parent, Yannick Laurin, Renée Mailhot, all united by a passion for architecture, design and Montreal, decided to team up to form La SHED. The studio is dedicated to a new type of architectural relationship, where to call an architect would scarcely be stranger than hiring a accountant – a relationship where conceiving your own living space would neither be a luxury nor would it be utopic.

Upon completion of its second project, la Maison Demers, la SHED was overwhelmed with critical success and has since been highlighted in a number of specialized medias and has received a variety of design and architecture awards. Notably, the firm is the recipient of the 2016 Emergent Architectural Practice Award given by the Royal Architectural Institute of Canada (RAIC), the Canada Council for the Arts 2018 Ronald-J.-Thom Award for Early Design Achievement, and three Excellence in Architecture Awards granted by the Quebec Order of Architects (2015, 2017, 2019). Even though the team now has thirteen members, all decisions are made as they were on the first day – they are “submitted to the board” around the same large table.
 
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