The Palais de Justice de Lille, the city’s new courthouse designed by OMA, has been completed. Situated on the former fortifications of Vauban, the building responds to this complex context through a colorful, multifaceted architecture.

The building emerges within an expansive green landscape, intersected by major avenues with the potential to evolve into future boulevards and marked by faint traces of the old citadel’s geometry. These are the key conditions that shape the design of the new courthouse.

OMA responds to the site conditions and programmatic requirements through a building articulated as three clearly distinct volumes. The first volume, conceived as a publicly accessible base, houses the entrance, the main lobby, and the primary courtrooms. Rising above this is a central, triangular-plan tower containing smaller courtrooms. Finally, an office ring envelops the tower—appearing to float around it—which allows natural light to penetrate deep into the building’s interior.

The building’s interior was designed to move away from the traditional monumentality of courthouses, replacing it with accessible and easily legible spaces for the public, judicial professionals, and staff alike. The identity of each volume is defined through its material expression and spatial character, reinforcing the clarity of the overall design and facilitating user orientation.

As for the exterior spaces, the building is conceived as an extension of the surrounding green landscape, incorporating gardens distributed across its three levels. These culminate in a rooftop garden, offering panoramic views of the city.

Palais de Justice de Lille by OMA. Photograph by François-Xavier Gbré, courtesy of OMA.

Palais de Justice de Lille by OMA. Photograph by François-Xavier Gbré, courtesy of OMA.

Project description by OMA

Any new architectural addition to the city of Lille has to address the past, the present and the future. That is even more true on the site of Vauban's former fortifications – used in Lille as a zone where modernity can be organized without damaging the city.

The location for the new courthouse is emblematic for this urban landscape: a green landscape crossed by motorways (future boulevards), rich in open air activity, with faint traces of Vauban's geometry. This condition has triggered our project: a colorful multifaceted object that is able to address any number of different clues and elements from the past and the contemporary world.

Palais de Justice de Lille by OMA. Photograph by François-Xavier Gbré, courtesy of OMA.
Palais de Justice de Lille by OMA. Photograph by François-Xavier Gbré, courtesy of OMA.

Internally, the base of the building accomodates the public and the major courtrooms. From that base, a central triangular tower rises where the minor courtrooms are concentrated. The tower is surrounded by a facetted ring of offices that floats above the base, giving the building an appearance of lightness, in spite of the seriousness of its function.

The interiors or each of the building's components are conceived to make all the procedures of justice accessible, even inviting, free of the intimidation that has traditionally been the main characteristic of the architecture of justice.

Model. Palais de Justice de Lille by OMA.

Model. Palais de Justice de Lille by OMA.

The outdoor spaces project enhances the site's qualities, limiting the building's impact on the environment and providing extensions and continuities necessary for the long-term preservation of the ecosystem. Green space is distributed across three levels: a public plaza at ground level, a 'country garden' covering the base, and a roof garden overlooking Lille.

More information

Label
Architects
Text

OMA. Partners.- Chris van Duijn, Rem Koolhaas, Ellen van Loon.
Project architects.- Alice Grégoire, Edouard Perves, Saskia Simon.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Design team
Text

Adrianne Fisher, Alice Grégoire, Anna Speakman, Ariel Claudet, Cameron Walker, Cristina Martin de Juan, Danny Rigter, Deniz Arikan, Dirk van der Meij, Edouard Perves, Eunjin Kang, Francesca Lantieri, Francois Riollot, Hans Larsson, Helena Daher Gomes, Joanna Plizga, Kara Verbeek, Mathieu Mercuriali, Mike Fritsch, Paloma Bule, Ronald Yeung, Saskia Simon, Selma Maaroufi, Thijs van der Lely, Tijmen Klone, Timothee Jourdain, Vitor Oliveira, Weronika Zaborek, Zhaohang Zhang, Zoal Abdul Razaq, Mark Heumer, Arthur Wong, Sarah El-Harouny, Maria Vittoria Giani, Sigi Buzi, Luisa Carvalho Punchirolli, Raffaele Guercia, Lina Milovidova.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text

Local Architect: Saison Menu & Associés Architectes Urbanistes.
Cost Engineers: Bureau Michel Forgue.
Facade: VS-A.
Signage: Studio WEG.
Bim Manager: R-BIM.
Security: Cronos.

Engineering: WSP Norge, WSP.
Sustainability: Transsolar.
Landscape: Base.
Lighting Consultants: 8’18”.
Acoustic Consultant: Lasa.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Client
Text

APIJ - Agence Publique pour l'Immobilier de la Justice (Ministry of Justice).

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text

24,000sqm.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Location
Text

421 Rue des Bateliers, 59800 - Lille, France.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
Text
+ + copy Created with Sketch.
- + copy Created with Sketch.

Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. 

OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Simone Veil Bridge in Bordeaux (2024), LANTERN in Detroit (2024), Mangalem 21 in Tirana (2023), Aviva Studios – Factory International in Manchester (2023), Apollolaan 171 in Amsterdam (2023), Buffalo AKG Art Museum in Buffalo (2023), Toranomon Hills Station Tower in Tokyo (2023), Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. 

AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

Read more
Chris van Duijn trained as an architect (Master of Architecture) at the Technical University of Delft (1993-1999). He joined OMA in 1996 and became a partner in 2014. He currently leads OMA's work in Asia. He has been involved in many of OMA's most renowned projects, including Universal Studios in Los Angeles, the Prada stores in New York and Los Angeles (2001), the Casa da Música in Porto (2005), and the CCTV headquarters in Beijing (2012). His most recent projects include the Fondazione Prada in Milan (2015) and the Garage Museum of Contemporary Art in Moscow (2015).

His most recent projects include the Hanwha Galleria department store in Seoul (2020), the MEETT Exhibition and Convention Center in Toulouse (2020), and the Alexis de Tocqueville Library in Caen, France (2017).

In addition to complex, large-scale projects, he has worked on interiors and small-scale projects, including private homes, product design, and temporary structures, such as the Prada Transformer in Seoul (2009). He is the author of several academic publications on urban design and sustainability and has spoken at international conferences in Tokyo, New York, and Shanghai.

His current projects in Asia include the Hangzhou Prism and the CMG Qianhai Global Trade Center in Shenzhen. He is also leading the Simone Veil Bridge project in Bordeaux. He has overseen the Axel Springer Campus project in Berlin, the Jean-Jacques Bosc Bridge in Bordeaux, the construction of the Parc des Expositions in Toulouse, and the Bibliothèque Multimédia à Vocation Régionale in Caen, as well as various product development projects. In 2018, he was awarded the European Union Prize for Architecture for his innovation in temporary structures.

Chris has participated in Harvard University's exchange program and collaborated with studios in Japan and China on research projects on sustainable architecture.

Read more

Rem Koolhaas wwas born in Rotterdam on 17 November 1944. He began his career as a journalist working for the Haagse Post and also as a set designer in the Netherlands and Hollywood. He studied architecture at the Architectural Association School in London, and after winning the Harkness scholarship he moved to the USA. There he spent some time at the IAUS (Institute for Architecture and Urban Studies) in New York, a centre directed by Peter Eisenman. He later moved to Cornell University where he studied with Oswald Mathias Ungers.

In these early years of collaboration between Rem Koolhaas, Elia Zenghelis, Madelon Vriesendorp and Zoe Zenghelis, the name of the group while they were developing their first ideas and conceptual projects was more experimental: Office for Metropolitan Architecture – The Laboratory of Dr. Caligari. A time that served to consolidate initial ideas that would later lead to the formal founding of OMA in 1975 with his three colleagues.

In 1978 he wrote Delirious New York: A Retroactive Manifesto for Manhattan, which has become a classic of contemporary architectural theory.

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder of the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This program has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim Museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe Prize (2005). In 2008, Time mentioned him among the 100 most influential people on the planet.

Read more

Ellen van Loon (Rotterdam, 1963) joined OMA in 1998 and became Partner in 2002. She has led award-winning building projects that combine sophisticated design with precise execution. Recently completed projects led by Ellen include the shop-in-shops for Jacquemus at Galeries Lafayette and Selfridges (2022), the temporary showroom in Doha and store on Avenue de Montaigne in Paris for Tiffany & Co. (2022-23), Monumental Wonders exhibition for SolidNature in Milan (2022). Bvlgari Fine Jewelry Show (2021), Brighton College (2020), BLOX / DAC in Copenhagen (2018), Rijnstraat 8 in The Hague (2017), and Lab City CentraleSupélec (2017). Other projects in her portfolio include Fondation Galeries Lafayette (2018) in Paris; Qatar National Library (2017); Amsterdam’s G-Star Raw Headquarters (2014); De Rotterdam, the largest building in the Netherlands (2013); CCTV Headquarters in Beijing (2012); New Court Rothschild Bank in London (2011); Maggie’s Centre in Glasgow (2011); Casa da Musica in Porto (2005) – winner of the 2007 RIBA Award; and the Dutch Embassy in Berlin (2003) – winner of the European Union Mies van der Rohe Award in 2005. Ellen is currently working on The Factory Manchester – a large performing arts venue for the city; the renovation of Kaufhaus des Westens (KaDeWe) Berlin – Europe’s biggest department store – and the design of Lamarr, a new department store in Vienna; and the Palais de Justice de Lille.

Read more
Published on: October 22, 2026
Cite:
metalocus, JOSU BASAÑEZ
"New courthouse is completed. Palais de Justice de Lille by OMA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-courthouse-completed-palais-de-justice-de-lille-oma> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...