The recently celebrated XXII Biennial of Architecture and Urbanism of Chile has had an installation by the architects Smiljan Radić and Nicolás Schmidt, they created a metallic inflatable structure that was used as the inaugural stage of the biennial in the Chilean capital and which was the scene of the interesting deployed programming.

The installation was located in the Plaza de la Cultura of the Palacio de La Moneda, south of Plaza Bulnes, in front of Av. Libertador Bernardo O'Higgins in the Chilean capital.
Radić and Schmidt's proposal consists of a large silver inflatable structure in the shape of a bag, 30 meters long, more than 20 meters wide and 6 meters high, located on the grassy area near the avenue, whose image and temporality were to accentuate, explain the idea of the theme proposed for the festival, "Vulnerable habitats".

The large metallic bag presented a singular image, thanks to the ropes that wrapped it or held it so that it did not fly away. The structure was attached to 8 large fans that kept it constantly inflated, creating an igloo-like interior up to 6 meters high where chairs were located, with a capacity of 250 people, and a stage.

Access was through small slots on the sides of the structure that allow visitors and attendees to pass through while they remain inflated.

Programming was oriented around this theme, focusing on topics including the increase in informal housing, land seizures, the deterioration of public spaces, and the vulnerability of the environment.


Pavilion for the XXII Chilean Biennial by Smilian Radic and Nicolás Schmidt. Photograph by Cristobal Palma, Estudio Palma / XXII Bienal de Arquitectura y Urbanismo de Chile.


Pavilion for the XXII Chilean Biennial by Smilian Radic and Nicolás Schmidt. Photograph by Cristobal Palma, Estudio Palma / XXII Bienal de Arquitectura y Urbanismo de Chile
 
"We seek to open new spaces for reflection on the cultural, social and technological transformations in the era of changing fortunes that is coming, and the lessons learned from the social crisis and the pandemic."
Festival statement.

More information

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Architects
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Smiljan Radic, Nicolás Schmidt, Pablo Schmidt.
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Manufacturing and assembly equipment
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Felipe Bibiano Verdugo, Juan Gubbins Correa, Lucas Olivares Alvarado, Rodrigo Pérez Vásquez, Benjamín Pinedo Swinburn, Miguel Ángel Reyes Benz, Antonio Silva Salas, Danilo Lazcano Arenas, Andrés Moris Vera, Juan Paredes Amaya.
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Collaborators
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Direction.- Gabriela Villalobos Koeniger.
Camera and Drone.- Roberto Ormazábal.
Camera assistance.- Margoth Wehrli.
Photographic record.- Smiljan Radic, Nicolás Schmidt.
Video record.- Nicolás Schmidt, Benjamín Pinedo.
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Developers
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Ministry of Culture, Arts and Heritage and College of Architects of Chile.
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Dates
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From January 14-22, 2023.
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Venue / Localitation
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Palacio de La Moneda. Zona sur de la Plaza Bulnes, Av. Libertador Bernardo O'Higgins, Santiago de Chile, Chile.
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Photography
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Cristobal Palma, Estudio Palma.
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Smiljan Radic Clarke was born in Santiago de Chile in 1965. He studied at the Catholic University of Chile's School of Architecture, where he graduated in 1989. Later, he studied at the Istituto di Architettura di Venezia, Italy. After travelling for three years, he opened his own practice in Santiago in 1995. In 2001, he was named ‘Best under 35-year-old architect’ by the Chilean College of Architects, and in 2009, he was appointed as an honorary member of the American Institute of Architects, USA.

Smiljan Radic has lectured extensively and has mounted several architecture exhibitions on his work, including in 2013 - The Wardrobe and the Mattress, Hermes Gallery, Tokyo, Japan; Bus Stop for Krumbach, Kunsthaus Bregenz, Austria; Ilustraciones, Galeria AFA, Santiago; in 2012 - An Orange Tree Noise at the Hiroshima Museum of Contemporary Art, Japan; and in 2010 Global Ends, Ma Gallery in Tokyo, and People Meet in Architecture, with sculptor Marcela Correa at the 12th International Architecture Exhibition in Venice. Smiljan Radic has won numerous contests, such as the Regional Theatre (Concepción, 2011) and the Telecommunication Tower (Santiago, 2014). His work has been published in several architecture journals and monographs, the most recent being El Croquis N° 167, Madrid, Spain. He currently lives and works in Chile.

In 2017, Radić founded the Fundación de Arquitectura Frágil, housed within his home studio in Santiago, to support experimental architecture that challenges disciplinary boundaries. Through exhibitions, workshops, and shared inquiry, the foundation reflects his belief in architecture as a collective and evolving practice.

Radić’s work has been recognized with numerous international honors, including being named Best Architect Under 35 by the Colegio de Arquitectos de Chile (Chile, 2001), the Architectural Record Design Vanguard Award (United States, 2008), the Oris Award (Croatia, 2015), the Arnold W. Brunner Memorial Prize from the American Academy of Arts and Letters (United States, 2018), and the Grand Prize at the Pan-American Architecture Biennial of Quito (Ecuador, 2022). He is an Honorary Member of the American Institute of Architects and an Honorary Fellow of the Croatian Academy of Sciences and Arts, since 2009 and 2020, respectively.

Radić’s work has been featured in major exhibitions internationally, including Global Ends at Gallery Ma (Tokyo, Japan, 2010); Un Ruido Naranjo at the Museum of Contemporary Art (Hiroshima, Japan, 2012); The Wardrobe and the Mattress, Hermès Gallery, Tokyo, with Marcela Correa (Tokyo, Japan, 2013); Bus Stop for Krumbach at Kunsthaus Bregenz (Bregenz, Austria, 2013); Smiljan Radić: BESTIARY at TOTO Gallery Ma (Tokyo, Japan, 2016); The House for the Poem of the Right Angle in Endless House: Intersections of Art and Architecture at The Museum of Modern Art (New York, United States, 2015–2016); and Guatero Bubble at the XXII Bienal de Arquitectura y Urbanismo de Chile (Santiago, Chile, 2023).

Radić continues to live and work from Santiago, Chile, sustaining an experimental architectural practice.

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Published on: February 10, 2023
Cite:
metalocus, ANTONIO CORREDERA
"Pavilion for the XXII Chilean Biennial by Smilian Radic and Nicolás Schmidt" METALOCUS. Accessed
<https://www.metalocus.es/en/news/pavilion-xxii-chilean-biennial-smilian-radic-and-nicolas-schmidt> ISSN 1139-6415
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