Renovation of the temporary exhibition spaces Rohan 1 & 2 of the MAD by Bien Urbain atelier d’architecture
06/07/2021.
[PAR] France
metalocus, ÁLVARO ARRIERO
metalocus, ÁLVARO ARRIERO
The French studio Bien Urbain atelier d’architecture and Studio Adrien Gardère designed the renovation of the fashionable area of the Musée des Arts Decoratifs in Paris, which is located in the Rohan wing of the Louvre Palace, between the Jardin des Tuileries and Rue de Rivoli.
The architects have eliminated the elements that in a reform of the 90s covered the original walls and windows, as well as added superfluous elements. In this way, a new project is created that brings to light the rough and damaged original walls, adding the minimum and essential new elements, and creating modular spaces and showcases capable of adapting to the demands of any exhibition.
The architects have eliminated the elements that in a reform of the 90s covered the original walls and windows, as well as added superfluous elements. In this way, a new project is created that brings to light the rough and damaged original walls, adding the minimum and essential new elements, and creating modular spaces and showcases capable of adapting to the demands of any exhibition.
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecturexhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture and Studio Adrien Gardère. Photograph courtesy of Bien Urbain atelier d’architecture.
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture
Project plan. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture.
Stair section. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture.
Axonometry diagrams. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture.
Construction. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture.
Construction. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture.
Construction. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture.
Construction. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture.
Construction. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture.
Construction. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture.
Construction. Renovation of the temporary exhibition spaces Rohan 1 & 2 of the Musée des Arts Decoratifs (MAD) by Bien Urbain atelier d’architecture. Photograph by Luc Boegly, courtesy of Bien Urbain atelier d’architecture.
The atention for the heritage, in the project designed by Bien Urbain atelier d'architecture and Studio Adrien Gardère, is evidenced in the existing dialogue between the new and the old things, differentiating itself at all times and seeking a minimal renovation, that gives prominence to both, the palace and the elements that are exposed in it.
Despite having the thick walls of the palace, the project is capable of adapting to them, in such a way that the architects project a series of showcases and exhibition elements capable of changing their characteristics according to the needs of the expositions. In addition, by leaving almost all spaces free, greater freedom is given when creating the designs of the exhibitions.
The renovation can be seen in the visit to the first exhibition with which the Musée des Arts Décoratifs reopens this pavilion, created by the Adrien Gardère studio and dedicated to the fashion magazine Harper's Bazaar.
Despite having the thick walls of the palace, the project is capable of adapting to them, in such a way that the architects project a series of showcases and exhibition elements capable of changing their characteristics according to the needs of the expositions. In addition, by leaving almost all spaces free, greater freedom is given when creating the designs of the exhibitions.
The renovation can be seen in the visit to the first exhibition with which the Musée des Arts Décoratifs reopens this pavilion, created by the Adrien Gardère studio and dedicated to the fashion magazine Harper's Bazaar.
Description of project by Bien Urbain atelier d’architecture and Studio Adrien Gardère
Situated in the very centre of the Musée des Arts Décoratifs in Paris, the exhibition rooms devoted primarily to fashion are in the Rohan Wing of the Louvre running along the Jardin des Tuileries and the Rue de Rivoli.
This wing was renovated in the 90’s, with an additional floor being added and with all of its windows blocked, such that its architectural structure was not immediately visible.
The preservation of an architectural heritage, including its sometime changing perception, was a major concern. The building was stripped down to its original structure. The walls, floors and ceilings were left in their original state, simply stabilised with a sealant to eliminate further diffusion of dust. The project is minimalist: no linings, no coverings, no false ceilings, nothing superfluous.
Our mission was undertaken with discernment and we have brought a majestic building back to life.
A geometrically free standing stair case links the two levels in one unifying movement.
Modular showcases are installed between each buttress such that the layout can be changed on demand; the museum can therefore open towards the exterior (Rue de Rivoli/Jardins des Tuileries) as to the interior. Each showcase is connected to a technical support network along two parallel paths which delimit the display zone and the public zone. Each showcase runs autonomously and offers a wide range of configurations.
We have developed a «display engine» which allows future exhibition scenographers to plan their displays without constraints, according to their needs.
The Musée des Arts Décoratifs re-opens these «fashion galleries» with a major exhibition devoted to the famous American fashion magazine Harper’s Bazaar with a display designed by the Studio Adrien Gardère.
More information
Architects
Collaborators
Betom Ingénierie. ACL.
Area
1280 sqm.
Budget / Cost
€1,717,700. - €2,140,100 VAT
Dates
2018 - 2020.
Location
Musée des Arts Decoratifs, Rohan wing of the Louvre Palace, rue de Rivoli, Paris, France.
Photography
Nicolas Cèbe, Jérôme Stablon, Guillaume Cantardjian. Bien Urbain atelier d’architecture
Bien Urbain. Initiated in 2013 during the Europan 12 competition it won at the Rouen St-Sever site, the team formed a company in January 2016 around Nicolas Cèbe and Jérôme Stablon; It was reinforced in 2019 with the arrival of Guillaume Cantardjian.
Bien Urbain is responsible for the design and monitoring of the work, right up to the reception, of new projects as well as renovation. They support project owners on programs of public facilities, shops, activities and housing as well as on town planning missions. The agency can also intervene upstream, in the context of Assistance to the Contracting Authority, when it comes to enhancing a heritage, consolidating a program or the feasibility of a project.
Bien Urbain relies on a network of partners with complementary skills, gathered in multidisciplinary teams and adapted to the specific challenges of each project and mission which are itself entrusted.
The agency is based in Paris and strives to develop passionate, exciting practices in ever more varied fields.
Nicolas Cèbe. Born in 1981, Nicolas graduated as a DPLG from ENSAV & T de Marne-la-Vallée in 2005 and worked for ten years as a project manager at Associated Lion Workshops. Responsible for planning, managing and developing large projects, he intervenes in all operational phases, from assistance to reception operations.
Jérôme Stablon. Born in 1987, Jérôme is a graduate of ENSA Toulouse, of the DSA of urban architect in Marne-la-Vallée, and held the position of project manager for five years with Associated Lion Workshops. Engaged in urban and architectural projects of various scales, he is also committed to a more forward-looking approach to urban planning and is, in particular, co-author of the book S(t) imulation Pavillonnaire (édition Archibooks).
Guillaume Cantardjian. Born in 1985, Guillaume is an HMONP architect, a graduate of the City & Territories School of Marne-la-Vallée, he is involved in new equipment and housing projects as well as in rehabilitation. He benefits from solid experience acquired in Parisian architectural agencies including Ateliers Lion associés, Patrick Berger architect and Kalaycyian & Djalili architects.
Bien Urbain is responsible for the design and monitoring of the work, right up to the reception, of new projects as well as renovation. They support project owners on programs of public facilities, shops, activities and housing as well as on town planning missions. The agency can also intervene upstream, in the context of Assistance to the Contracting Authority, when it comes to enhancing a heritage, consolidating a program or the feasibility of a project.
Bien Urbain relies on a network of partners with complementary skills, gathered in multidisciplinary teams and adapted to the specific challenges of each project and mission which are itself entrusted.
The agency is based in Paris and strives to develop passionate, exciting practices in ever more varied fields.
Nicolas Cèbe. Born in 1981, Nicolas graduated as a DPLG from ENSAV & T de Marne-la-Vallée in 2005 and worked for ten years as a project manager at Associated Lion Workshops. Responsible for planning, managing and developing large projects, he intervenes in all operational phases, from assistance to reception operations.
Jérôme Stablon. Born in 1987, Jérôme is a graduate of ENSA Toulouse, of the DSA of urban architect in Marne-la-Vallée, and held the position of project manager for five years with Associated Lion Workshops. Engaged in urban and architectural projects of various scales, he is also committed to a more forward-looking approach to urban planning and is, in particular, co-author of the book S(t) imulation Pavillonnaire (édition Archibooks).
Guillaume Cantardjian. Born in 1985, Guillaume is an HMONP architect, a graduate of the City & Territories School of Marne-la-Vallée, he is involved in new equipment and housing projects as well as in rehabilitation. He benefits from solid experience acquired in Parisian architectural agencies including Ateliers Lion associés, Patrick Berger architect and Kalaycyian & Djalili architects.
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