Foster + Partners has projected the new Apple store located in the heart of Los Angeles, in the western United States. The store rises above the old Tower Theater projected in 1927 by S. Charles Lee, which at the time was the first movie theater for talkies in Los Angeles, today recovers its splendor, but with a different use.

The project is one of the largest renovations that have been made in the city of Los Angeles, Foster + Partners seeks to recover the essence that the building had in the past by changing its use, the project will increase the commercial life of the downtown town.
The lobby located at street level opens onto what would once be the main hall of the theater and today houses a large exhibition room, at the same level, there is a large staircase that leads visitors to higher levels, in addition to The central dome has an added fresco of the Southern California sky.

Foster + Partners maintains the essence of the building by preserving and restoring the various plaster details on the walls and ceiling, as well as a series of theater-like leather seats with electrical visitor points for visitors to relax. In conclusion,  the architects make the perfect mix of old and new.
 

Description of project by Foster + Partners

Apple Tower Theatre, Apple’s newest store in the heart of downtown Los Angeles, has opened to visitors. The design seeks to reinvigorate one of LA’s most historic movie theaters by giving the building a new purpose and restoring its lost glory. The unveiling of Apple Tower Theatre is a significant part of the larger urban regeneration of downtown LA that will strengthen urban retail and community life in this part of the city.

Designed in 1927 by prolific motion picture theater designer, S Charles Lee, Tower Theatre was the first movie theater in Los Angeles built to show talking movies. The design restores the distinctive clock tower and exterior terracotta facades, enhances historic interiors and improves the marquees and the Broadway Street elevation, while upgrading accessibility to ensure the building will survive and serve the community long into the future.

The design looks to create an active presence on Broadway. Visitors enter a generous lobby at street level. An immaculately restored grand staircase takes visitors to the upper levels, while the lobby opens up to the soaring volume of the main theatre hall at ground level, which has been completely transformed into a majestic display area. The intricate historic plaster detailing on the walls and ceiling, dating back to the 1920s, has been carefully restored and enhanced. The central dome of the theater’s ceiling has been reinterpreted with a fresco of the calming golden sunshine of the southern Californian sky, adding dynamism and color to the space.

Referencing the golden era of talkies and films, the new Forum reinstates the screen under the proscenium arch. A discreet set of stairs and elevators also bring visitors to the balcony level, which hosts the best seats in the house to view the Forum. The generous leather theater-style seats with integrated electrical and data points are the perfect spot for visitors to relax while they wait for their Genius appointments. At the top of the balcony is the Genius Level. Located just beneath the theater’s projectionist windows, it offers a complete snapshot of the theater in all its restored glory. The Today at Apple will be a new magnet for the public, inspiring people and transforming the entire store, including the upstairs balcony, into a theatrical event space.

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Architects
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Project team
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Collaborating Architect.- Gruen Associates. Structural Engineer.- Simpson, Gumpertz & Heger (SGH). Lighting Engineer.- Francis Krahe & Associates.
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Client
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Area
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Area.- 1,423sqm. Height.- 17.55m.
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Dates
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Appointment.- 2015. Completion.- 2021.
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Location
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802 S Broadway, Los Angeles, CA 90014, United States.
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Photography
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Cortesía de Apple.
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Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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