Zayed National Museum in Abu Dhabi, designed by Foster + Partners, has just opened. This impressive building is distinguished by its five sculptural, lightweight steel towers that rise majestically towards the sky. Their shape is inspired by the wing of a falcon in flight, symbolizing the strength, courage, determination, and pride of the falcon, the national emblem of the United Arab Emirates.

The Zayed National Museum stands as the centerpiece of the Saadiyat Cultural District, inaugurated to commemorate Abu Dhabi's 54th anniversary as a nation since its unification and founding by the late Sheikh Zayed bin Sultan Al Nahyan in 1971. The building is a tribute to his legacy. The project combines traditional sustainability techniques with modern technologies to address the UAE's climate.

The Zayed National Museum, designed by Foster + Partners, opened to the public on December 3rd, the day after UAE National Day, after approximately 15 years of construction.

Access to the museum, located in the Saadiyat Cultural District on Saadiyat Island in Abu Dhabi, is via a 600-meter-long pathway called Al Masar Garden, an open-air green space showcasing native plants and trees representative of the desert, oases, and urban environments of the Emirate of Abu Dhabi. 

Zayed National Museum by Foster + Partners. Photograph by Nigel Young.  Museo Nacional Zayed por Foster + Partners. Fotografía por Nigel Young.

Zayed National Museum by Foster + Partners. Photograph by Nigel Young.

The falcon-wing-shaped towers designed by Foster + Partners act as thermal chimneys, forming part of a sustainable cooling system that supplies fresh air to the galleries below. This environmental system, designed by Foster + Partners, takes advantage of the inertia of thermal mass, thanks to the fact that part of its structure is buried, utilizing the insulating properties of the ground and its cooler temperature.

The design language of the finishes is a hybrid of traditional Arabic elements combined with modern ones. Among the pieces, the screens used to control natural light and shadows stand out.

The interior is organized into six permanent galleries spread over two floors, housing Paleolithic, Neolithic, Bronze Age, and Iron Age artifacts discovered throughout the emirate. These spaces are complemented by a separate gallery that will host temporary exhibitions. The collection comprises more than 3,000 pieces, of which 1,500 will be on display.

Zayed National Museum by Foster + Partners. Photograph by Nigel Young

Zayed National Museum by Foster + Partners. Photograph by Nigel Young.

Project description by Foster + Partners

The Zayed National Museum has opened its doors to the public. Located at the heart of the Saadiyat Cultural District in Abu Dhabi, the new national museum of the United Arab Emirates (UAE) traces the history of the Emirates, from the earliest evidence of human habitation to the civilisations that shaped its culture and identity, rooted in the values of the UAE's Founding Father, the late Sheikh Zayed bin Sultan Al Nahyan. The building's form addresses the challenge of sustaining life in a desert environment and the strong cultural traditions of the UAE.

The museum's five lightweight steel wings are part of the system of natural ventilation. Air vents open at the top of the towers, taking advantage of the negative pressure on the lee side of the profile to draw hot air out from the atrium, assisted by the thermal effect of the heat build-up on the tips of the wings. Air that has been naturally cooled through pipes buried deep below the desert floor then flows into the atrium through a low-level ventilation system. The wings are glazed to channel natural light into the galleries below, and each one is individually tunable.

Zayed National Museum by Foster + Partners. Photograph by Nigel Young
Zayed National Museum by Foster + Partners. Photograph by Nigel Young.

The museum spaces are located within a mound, which has textured, faceted panels that are an abstraction of the UAE's topography. The mound insulates the interior spaces from solar gain, forming a protective shield that prevents heat from entering the building. When visitors step inside the museum, they enter the light-filled atrium, or Al Liwan, which serves as both a meeting and orientation space, hosting performances such as traditional dance and poetry.

Of the six permanent galleries, four pod-shaped galleries are suspended above Al Liwan and provide controlled environments to protect the sensitive artefacts on display. The towers' triple-laminated glazing moderates the amount of daylight entering the lobby and the gallery spaces. The glazing includes a dense mesh interlayer, and each pod has a rooflight made of electrochromic glass that changes its transparency in response to outside light levels.

Zayed National Museum by Foster + Partners. Photograph by Nigel Young.
Zayed National Museum by Foster + Partners. Photograph by Nigel Young.

"Zayed National Museum tells the story of Sheikh Zayed's creation of the Emirates and the many facets of his legacy, including his vision of greening the desert. The building itself is an expression of sustainability, with five aerodynamic wings that are an integral part of the environmental system, acting as thermal chimneys and drawing cool air through the public spaces. They are also symbolic of Sheikh Zayed's love of the traditional sport of falconry and have become markers on the city skyline." 

Norman Foster, founder and executive chairman, Foster + Partners

Each of the pod-shaped galleries is curated to reflect a specific theme, while the connecting nodal spaces provide contextual information that ties them together. Visitors can choose their own route through the different galleries and make their way to the upper level via a sculptural spiral staircase or lifts. At ground level, there are also two more permanent gallery spaces that are near the museum's entrances, as well as a temporary exhibition space, a fine dining restaurant, and a cafe.

Zayed National Museum by Foster + Partners. Photograph by Nigel Young.
Zayed National Museum by Foster + Partners. Photograph by Nigel Young.

Outside the museum building, Sheikh Zayed's love of nature is represented by the Al Masar Garden, which links the building to the coast. Integrating landscape and heritage, the garden is intended as a new community asset, with spaces for socialising, play, and reflection. Visitors are also invited to take a shaded route from ground level to a viewing platform at the top of the mound, at the base of the steel towers, which offers panoramic views of the surrounding area.

Materials have been carefully selected to resonate with the local surroundings and mirror historic buildings across the seven Emirates, which reflect the changing colour of the sand in different locations. Building on this tradition, both the museum's exterior and its interior spaces mirror the distinctive warm-white shade of sand that is found on Saadiyat Island. The project has been delivered in close collaboration with the Department of Culture and Tourism in Abu Dhabi.

Zayed National Museum by Foster + Partners. Photograph by Nigel Young.
Zayed National Museum by Foster + Partners. Photograph by Nigel Young.

"Zayed National Museum gives our nation's story a permanent home. Our national museum serves to preserve and share our past while connecting generations. It is where our children and grandchildren will discover the values that built this country: unity, humility, openness, and respect for heritage. These are lived principles that continue to guide us, and when visitors from around the world walk through these galleries, they will gain a deeper understanding of the United Arab Emirates – past, present, and future." 

His Excellency Mohamed Khalifa Al Mubarak|Chairman of the Department of Culture and Tourism Abu Dhabi

"This project has allowed us to realize – on a grand scale – many of the issues relating to architecture and sustainable design that have been central to the practice's work for decades. It has been a pleasure to collaborate with such visionary stakeholders, whose extensive knowledge of the region grounded our work." 

Gerard Evenden | Head of Studio, Foster + Partners

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Architects
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Collaborators
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Structural engineer.- AKT II, WSP Norge, WSP.
Civil engineers.- Philip Habib + Associates.
MEP engineer.- BDSP, WSP Norge, WSP.
Landscape consultant.- Atelier Dreiseitl, WATG.
People Movement.- Intelligent Space..

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Contractor
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Main Contractor.- Arabtec, Six Construct-Trojan JV.
Piling Contractor.- NSCC.
Enabling Works.- Swissboring.

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Area
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88,870 sqm.

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Dates
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2010 - 2025.

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Venue / Location
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Al Saadiyat Island, Cultural District. Abu Dhabi, United Arab Emirates.

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Goppion.

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Photography
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Norman Robert Foster (Reddish, Greater Manchester, United Kingdom, 1 June 1935) is a British architect, founder of Foster + Partners, and one of the leading figures in contemporary architecture. His career is closely associated with the development of high-tech architecture, structural innovation, and the integration of environmental considerations into buildings and infrastructure.

He studied architecture and urban planning at the University of Manchester, graduating in 1961. He subsequently received a Henry Fellowship to continue his education at Yale University in the United States, where he earned a master's degree in architecture and met Richard Rogers. In 1963, he co-founded Team 4 with Rogers, Su Rogers, Georgie Wolton, and Wendy Cheesman. Following the group's dissolution, he established Foster Associates in London in 1967 with Wendy Cheesman. The practice was later renamed Foster + Partners and is now headquartered in London, with offices worldwide.

His early work explored technological innovation, prefabrication, and spatial flexibility, influenced in part by his collaboration with Richard Buckminster Fuller. Notable early projects include the Willis Faber & Dumas headquarters in Ipswich (1975) and the Sainsbury Centre for Visual Arts in Norwich (1978). His international reputation grew with the Hongkong and Shanghai Banking Corporation headquarters in Hong Kong (1985), Stansted Airport in London (1991), and the Commerzbank Tower in Frankfurt (1997).

His career encompasses architecture, urban planning, and infrastructure projects across numerous countries. Among his best-known works are the reconstruction of the Reichstag in Berlin (1999), the Great Court of the British Museum (2000), the Millennium Bridge (2000), and London City Hall (2002). Other major projects include the Bilbao Metro, Canary Wharf Underground Station, 30 St Mary Axe in London (2004), the Millau Viaduct in France (2004), the Hearst Tower in New York (2006), Terminal 3 at Beijing Capital International Airport (2008), Apple Park in Cupertino (2017), and Bloomberg's European headquarters in London (2017).

Alongside his architectural practice, Foster has pursued research and educational initiatives focused on the future of cities. In 1999, he established the Norman Foster Foundation, whose headquarters opened in Madrid in 2017. The foundation promotes interdisciplinary research in architecture, urbanism, technology, and infrastructure, preserves his professional archive, and develops international educational programmes. In 2024, the Norman Foster Institute began its academic activities, focusing on the study of sustainable cities.

His numerous honours include the Royal Gold Medal from the Royal Institute of British Architects (1983), the Gold Medal from the American Institute of Architects (1994), the Pritzker Architecture Prize (1999), the Praemium Imperiale for Architecture (2002), and the Prince of Asturias Award for the Arts (2009). He was knighted in 1990 and appointed a life peer in 1999, taking the title Lord Foster of Thames Bank.

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Published on: December 4, 2025
Cite:
metalocus, SARA GENT
"Like the wings of a hawk. Zayed National Museum by Foster + Partners" METALOCUS. Accessed
<https://www.metalocus.es/en/news/wings-hawk-zayed-national-museum-foster-partners> ISSN 1139-6415
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