Rafael Aranda, Carme Pigem and Ramon Vilalta, work together since 1988 under the name RCR ARQUITECTES in Olot. They are Premio Nacional de Cultura en Arquitectura 2005 by Generalitat de Catalunya, Chevaliers de l'Ordre des Arts et des Lettres by Republique Française in 2008, honorary members by the AIA American Institute of Architecture 2010 and International Award 2011 "Belgian Building Awards". Since 1989 are architects advisors at Parque Natural de la Zona Volcánica de la Garrotxa and have been teachers of Urban Planning and Landscape Architecture and Project. They have won different international competitions (the latter, the Waalsekrook media library in Belgium, the Soulages museum in France, Hofheide's crematorium in Belgium and The Edge Bussiness Bay in Dubai). They have received awards in his work among which two finalists positions in the awards of the European Union Mies Van der Rohe. Some of their awarded works have been exhibited in different events and published in several monographs.
RCR has shown the ability to think and transform that bring teamwork and the promotion of cultural initiatives from Bunka Foundation and workshops within the LAB-A in the Espacio Barberí, and have proven that it is possible to do international architecture from a rural environment, which is what has stimulated his imagination.
Following the work of RCR there is a philosophy which works for harmony between humans and nature. The most advanced technologies and materials such as steel or glass, with established rhythms and light that acts in opposition to each, are those that allow RCR this return to the essence of space that is the subject of architecture.
Beatriz Colomina is an internationally renowned architectural historian and theorist who has written extensively on questions of architecture and media. Ms. Colomina has taught in the School since 1988, and is the Founding Director of the Program in Media and Modernity at Princeton University, a graduate program that promotes the interdisciplinary study of forms of culture that came to prominence during the last century and looks at the interplay between culture and technology. In 2006-2007 she curated, with a group of Princeton Ph.D. students, the exhibition "Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X-197X" at the Storefront for Art and Architecture in New York and the Canadian Centre for Architecture (CCA) in Montreal. The exhibition continues to travel around the world, in the Museum of Design of Barcelona and the Colegio de Arquitectos de Murcia, at the NAI Maastricht and Santiago de Chile and Montevideo. Over 100 reviews and articles on the exhibition have been published worldwide. An exhibition catalog is forthcoming from ACTAR.
Her books include Privacy and Publicity: Modern Architecture as Mass Media (Cambridge: The MIT Press, 1994), which was awarded the 1995 International Book Award by the American Institute of Architects, has already been translated into many languages and is coming out in Spanish and in Turkish. In addition, Ms. Colomina has published Sexuality and Space (New York: Princeton Architectural Press, 1992), which was awarded the 1993 International Book Award by the American Institute of Architects; and Architectureproduction (New York: Princeton Architectural Press, 1988). She has contributed to many volumes, including The Banham Lectures, Philip Johnson: The Constancy of Change, Beyond Transparency and catalogues of the work of Dan Graham, Muntadas and SANAA, among others. In addition she has published Cold War Hot Houses: Inventing Postwar Culture from Cockpit to Playboy, co-edited with AnnMarie Brennan and Jeannie Kim (New York: Princeton Architectural Press, 2004; Doble exposición: Arquitectura a través del arte (Double Exposure: Architecture through Art) (Madrid: Akal, 2006), and Domesticity at War (Barcelona: ACTAR and MIT Press, 2007). She was selected to be a Juror for the 2010 Venice Biennale and a juror in the architectural competition for the new headquarters of CAF (Corporación Andina de Fomento), in Caracas, Venezuela. She presented "Women in Architecture," a keynote lecture in the conference Female Forces, 100 year anniversary, at the Royal Academy Copenhagen. In addition to being the Editor of the Multimedia Section of the JSAH (Journal of the Society of Architectural Historians) she has written numerous other publications and presented lectures throughout the world, including at MoMA, the MAXXI museum in Rome, the Guggenheim museum, DoCoMoMo in Rio de Janeiro, Brasilia, Chandigarh, Osaka, Tokyo, Florence, Oslo, Thesaloniki, Patras, Guadalajara, Berlin, Frankfurt, Cologne, Ohio, Pamplona, Porto, Toronto, Houston, Texas AM, Yale, Chicago and Harvard University.
Fuensanta Nieto (Madrid 1957) and Enrique Sobejano (Madrid 1957), are graduated architects by the Escuela Técnica Superior de Arquitectura de Madrid (ETSAM) and Master of Science in Building Design por la Graduate School of Architecture and Planning (GSAPP), Columbia University, New York (USA). Are partners of the office Nieto Sobejano Arquitectos, with headquarters in Madrid and Berlín.
Enrique Sobejano is Design Professor at the Universität der Künste Berlin (Germany) and Fuensanta Nieto Fuensanta is an Design Associate Professor in the School of Architecture at the Universidad Europea de Madrid. Both have been guest professors and lecturers at various universities and institutions within and outside Spain. From 1986 to 1991 was Director of ARQUITECTURA magazine, of Official College of Architects of Madrid.
Sobejano Nieto's work has been published in numerous magazines and books in Spanish and international, such as Casabella, METALOCUS, The Sketch, Architectural Review, Domus, Architectural Record, Detail, A + U, etc, and has been exhibited, among other places, Venice Biennale (2000, 2002, 2006) and the Museum of Modern Art (MoMA) in New York (2006). They have received the National Award for Restoration of the Ministry of Culture (2008), the Nike Prize BDA (Bund Deutscher Architekten) (2010) and the Aga Khan Award for Architecture (2010).
Among his recent works include Madinat al Zahra Museum (Córdoba), Moritzburg (Germany), Colegio de San Gregorio (Valladolid) and the Conference Centres of Mérida and Zaragoza.
NIETO SOBEJANO ARQUITECTOS: http://www.nietosobejano.com
Founded in 1994 in Paris, since 2006 the studio is based in Lima, pursuing its activity in France with the Parisian studio Atelier Nord-Sud. Their work has been recognized by the first Oscar Niemeyer Prize, and in several international Biennales. They have been awarded by the International Committee of Architectural Critics (CICA) with the 2013 Latin America Prize. Barclay & Crousse has earned the Peruvian Architecture National Prize, Hexágono de Oro, in 2014. Their work has been exhibited and published worldwide. The Italian editor Lettera Ventidue published in 2012 a monographic book about their work in the Peruvian desert coastline, presented at the 13th Venice Biennale.
1967 born in Lima (Peru). 1990 Graduated as Architect at URP (Lima). 1993 Graduated as Architect at the Ecole d’Architecture de Paris-Belleville (France). 1993 Robert Camelot Prize for best Architectural Thesis in France. 1994 Established Barclay & Crousse Architecture in Paris, France. 2000 Fulbrignt Foundation and American Institute of Architects Fellowship. 2005-2006 Teacher at the Ecole d’Architecture de Paris La Villette (Paris, France). 2006 Teacher at the Pontificia Universidad Católica del Perú. 2012 Participant for Peru at the 13th Venice Biennale. 2013 Master in Territory and Landscape, Universidad Diego Portales (Chile). 2016 Curator of the Peruvian Pavilion at the 15th Venice Biennale.
Jean Pierre Crousse
1963 Born in Lima (Peru). 1987 Architecture degree at URP (Lima). 1989 graduated at the Politécnico di Milano (Italy). 1994 Established Barclay & Crousse Architecture in Paris, France. 1999-2006 Teacher at the Ecole d’Architecture de Paris Belleville (France). 2006 Teacher at the Pontificia Universidad Católica del Perú. 2012 Member of the South America Project, GSD – Harvard University. 2012 Participant for Peru at the 13th Venice Biennale. 2013 Master in Territory and Landscape, Universidad Diego Portales (Chile). 2015 Design Critic at the Graduate School of Design, Harvard University. 2016 Member of the International Jury of the Mies Crown Hall Americas Prize, Chicago. 2016 Curator of the Peruvian Pavilion at the 15th Venice Biennale.
Gustafson Porter + Bowman are an award-winning landscape architecture practice based in London. We have a talented team of landscape architects, architects and urban designers led by 5 partners. Our wide-ranging specialisations allow us to engage with a multitude of projects from the urban masterplan scale to bespoke designs. Our design process is always based on a deep understanding of a site; its geographical context and the organisations and cultures that shape them.
We always visit our sites, research their location, history, hydrology, soils, plant communities, local context and site constraints. We will talk to clients, stakeholders and local people about their needs and ambitions. Only once we feel that we have understood these will we start developing a strong conceptual framework that lends meaning and distinctiveness to our landscape work. Throughout our 23-year history, we have sought to continuously push the boundaries of what constitutes the field of landscape design. We care deeply about our work, with strong personal commitments to achieving the best possible outcome for our clients, the environment and the local community. Our strong engagement with local communities and stakeholders, including artists and scientists, adds layers of richness to our work.
A member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, she has been profiled in, among others, TIME, The New York Times Magazine, and The New Yorker. The 1996 documentary about her, Maya Lin: A Strong Clear Vision, won the Academy Award for Best Documentary. Her book about her work and creative process, Boundaries, is in its fifth printing with Simon & Schuster. Maya Lin: Topologies, a monograph spanning the past 30 years of her career was first released in the Fall of 2015 by Skira Rizzoli and is in its second printing. In 2009 she was awarded the National Medal of Arts, the nation's highest honor for artistic excellence, and in 2016 she was awarded the Presidential Medal of Freedom, by President Barack Obama, the Nation's highest Civilian Honor.
Artist, designer, and environmentalist, Maya Lin interprets the natural world through science, history, politics, and culture, creating a remarkable and highly acclaimed body of work in art and architecture. Her works merge the physical and psychological environment, presenting a new way of seeing the world around us.
Her work has also been exhibited in museums and galleries worldwide, with solo shows such as Il Cortile Mare (1998) at the American Academy in Rome or those celebrated at the De Young Museum in San Francisco, the Corcoran Art Gallery in Washington D.C., the Heinz Architectural Center in Pittsburgh, the Wanås Foundation in Sweden, or the David Brower Center in Berkeley to name a few.
Lin's Memorials address the critical social and historical issues of our time. From the Vietnam Veterans Memorial which she designed as an undergraduate student at Yale, to The Civil Rights Memorial in Alabama, and the Women's Table at Yale make our history part of the landscape. Her, What is Missing? is focused on the environment.
Lin's art explores how we experience and relate to Nature, setting up a systematic ordering of the land that is tied to history, memory, time, and language. Her interest in landscape has led to works influenced by topographies and natural phenomena.
Her work asks the viewer to reconsider nature and the environment at a time when it is crucial to do so. A committed environmentalist, she is working on her last memorial, "What is Missing?"; a cross-platform, global memorial to the planet, located in select scientific institutions, online as a website, and a book, calling attention to the crisis surrounding biodiversity and habitat loss. www.whatismissing.org
Her architectural projects include the main building and master plan for Novartis Institutes for Biomedical Research in Cambridge, MA (2015), the Museum for Chinese in America (2009) in New York City, and the Riggio-Lynch Interfaith Chapel (2004), and Langston Hughes Library (1999) in Clinton, Tennessee. Currently, she is working on the redesign of the Neilson Library at Smith College. Her designs create a close dialogue between the landscape and the built environment, and she is committed to advocating sustainable design solutions in all her works.
Lin has been the subject of numerous solo exhibitions at museums and galleries worldwide, with works in the permanent collections of the National Gallery of Art; The Metropolitan Museum of Art; The Museum of Modern Art; The Smithsonian Institution; The Nelson-Atkins Museum of Art; The Nevada Museum of Art; Crystal Bridges Museum of American Art; and the California Academy of Sciences.
Arantza Ozaeta Cortázar and Alvaro Martín Fidalgo’s work is mainly developed between Spain, Germany, Italy and UK, where they are teaching, researching and building recent winning competitions. They studied architecture at the Madrid Polytechnic ETSAM and at the TU Delft of The Netherlands. They completed the coursework for the PhD at the Madrid Polytechnic ETSAM in the Department of Advanced Projects in 2010 where they are PhD candidates.
Arantza Ozaeta Cortázar and Alvaro Martín Fidalgo have been recognized with the international award Bauwelt Prize 2013, the prize COAM Luis M. Mansilla 2013 and Finalists at the XII Spanish Architecture and Urbanism Biennale 2013, for the project ‘Haus der Tagesmütter’.They have been prize winners in several competitions, among which the following can be highlighted: they won the european competition Europan-09 in Selb (Germany), where they are developing an entire urban strategy for a “shrinking city” through the Urban Acupuncture principle. As the result of the implementation of this competition they have completed the project ‘Haus der Tagesmütter’, as well as the project ‘Youth Club and Youth Hostel’, which is currently under construction. They have won the ‘IQ Experimental Collective Housing-Wohnquartiere’ in Germany, which is currently under construction. They were selected at the international competition for ephemeral urban gardens in Bilbao for their winning project ‘Green Cave’, which was realized during the event.
They have been teaching at the Architectural Association School of Architecture-Visiting School Programme (UK), Architectural Polytechnic University of Madrid (Spain), Hochschule Coburg University of Applied Sciences (Germany), Politecnico di Milano (Italy), Ural State Technical University of Ekaterinburg (Russia). In addition, they have actively participated in debates, workshops and lectures and their work has been selected to be exhibited in different places and events in Spain, Germany, Austria and Italy.
Miralles Tagliabue EMBT is an international acknowledged architecture studio formed by Enric Miralles (1955-2000) and Benedetta Tagliabue in 1994.
The studio has experience in public spaces and buildings in both Europe and China working for State and Local Governments as well as Corporate and private clients.
EMBT’s mature approach to architecture, interior design, facility planning includes experience with educational, commercial, industrial and residential buildings, restoration of buildings as well as special purpose landscape architecture.
Each project evolves from the specific client requirements and innovation emerges through the design process. This approach is combined with strong technical and management skills to provide cost effective and personal service.
The studio maintains a highly personal level of service throughout the design process and offer strong technical and structural solutions through close collaboration with engineering offices.
The majority of the EMBT projects are commissioned by public clients with special emphasis on urban space and the coherence between the built environment and the public space. Each project brings with it a new client and special cost constraints. To achieve the desired solution, EMBT believe that the design process must be a collaborative effort between the client and the designer.
EMBT ensures that clients take an active role in defining their needs, bringing client and solution together, and is backed by a support team with a capability of responding rapidly to projects demands.
The studio put great emphasis on each individual projects context, history and culture and aims to enhance these aspects through their unique design process.