Architecture studio Taller de Casquería  worked in the reactivation project for the Pilarica 81, an industrial space in the center of Madrid, one of the main industrial regions of Spain thanks to its capital status and its central position in the country.

With the transformation of the city in the last century, the loss of industrial spaces and therefore of the industrial heritage has been notable, leading to the disappearance and reconversion of the old industrial belt of Madrid. One of the most used tools to prevent the demolition of industrial structures has been the change of use, from industrial use to residential use.
The proposal of Taller de Casquería for the 250m² warehouse is based on equipping the area with urban and architectural tools, thus achieving a hybrid between public space and private space, which in turn is productive and residential.

The intervention focuses on two parts. The first part is the recovery and enhancement of the volume, eliminating the additions that appeared in the years of activity. The second part consisted of the development of functional modules to promote the use of different spaces in the area.

This is how Taller de Casquería proposes a series of formalities to protect the industrial heritage of the city of Madrid through adaptable use and occupation over time, allowing the life of the industrial heritage to be prolonged and preventing its demolition.
 

Project description by Taller de Casquería

Pilarica is a project to reactivate an industrial space in the urban fabric of the city of Madrid. This project is the first in a series whose strategy is to protect the city's industrial heritage through use and occupation formulas that allow it to prolong its life and prevent its demolition.

The industrial activity in the center of the city of Madrid has gradually lost its weight in the last 30 years until it found itself in the current situation, in which said use has practically disappeared. The causes are similar to those of many other urban centers; On the one hand, the environmental protection regulations in terms of noise and emissions and, on the other, the increase in the value of the land, caused the emigration of these uses to the periphery of the city.

As a consequence, urban-industrial warehouses have become obsolete, being mainly used by small guilds that still retain these properties. Most of these spaces are found on the ground floors of residential buildings, extending beyond the back of the building and invading the space of the urban block courtyards.

Now dealing with a mainly residential and commercial plot, which no longer requires the use of these large-volume and surface spaces, the current urban planning regulations seek to recover the urban block patios and therefore the demolition of the structures that occupy them. The tool used for this is the change of use, from industrial use to residential use. An industrial space may become a residential space as long as a series of requirements described in the municipal ordinance are met, such as minimum lighting, ventilation, or accessibility conditions.

The most drastic change, however, supposes the limitation of the building fund, which impedes the implementation of residential use in those buildings that invade the block courtyards, forcing the demolition of the industrial buildings that occupied them.

The incentive to make these changes in use is given by the real estate market, causing the value of the land to triple or quadruple when it becomes a residential space, mainly spurred by the rental price bubble that the city suffers. Although part of this situation is understandable, since there is a claim to improve the interior conditions of residential blocks, the city is increasingly condemned to unitary use and this typology to the disappearance.

Our proposal for Pilarica tries to find urban and architectural tools that allow these structures to be kept in a context that wants to see them disappear. The programmatic proposal is a hybrid between public space and private space, a productive space, and a residential space.

The intervention in the ship was based in part on the recovery and enhancement of the space volume of the ship, knocking down the additions that appeared in its years of activity, and the conditioning of the space to allow the proposed uses. On the other hand, we developed two functional modules to promote the use of the different spaces of the industrial building.

On the lower floor, there is a washing and drying tunnel used for the artistic production that takes place in this space, in addition to a toilet located below. On the upper floor, a wet module is inserted that concentrates functions and wishes of the tenants, delimiting different rooms and making the space livable.

The finishes on the lower floor are raw and neutral, intended to enable and not condition the intended activity of the space. The upper floor, on the other hand, tries to approach domestic use and closer contact with the body, causing a contrast between smooth and rough textures, soft and hard.

The insertion of these uses is intended to emulate the insertion of the industrial machinery used in previous occupations of this space. Like a cheese pasteurizer tank or a body lacquering tunnel, these pieces occupy the warehouse temporarily, without definitively conditioning the possibilities of this space and therefore facilitating a subsequent tenant to reprogram it.
 
Pilarica seeks to protect the industrial heritage of the city of Madrid through use and occupation formulas that allow it to prolong its life and prevent its demolition.

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Architects
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Taller de Casquería. Arquitectos.- Elena Fuertes, Ramón Martínez, Álvaro Molins, Jorge Sobejano.
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Collaborators
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Teresa Martínez Pagés, Manuel Alba Montes.
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Builder
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Fast&Furious Office.
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Area
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250m²
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Location
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Usera, Madrid, Spain.
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Photograph
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Maria Eugenia Serrano Díez.
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Taller de Casquería is an architecture studio focused on the development of new strategies to address the space, the city, and society. The members are Elena Fuertes, Ramón Martínez, Álvaro Molins, and Jorge Sobejano.

Their practice is based on research as an engine for the production of architectural proposals, highlighting an extensive vision of architecture that goes beyond its disciplinary barriers. Their work covers different formats, from specific architectural interventions or urban regeneration strategies to scenography, exhibition design, or object design.

Their work has been selected to form part of different exhibitions, both individual and collective, among which the participation in the Venice Biennale of Architecture 2014 as collaborators in the American pavilion Office the US stands out; at the Seoul Architecture Biennale 2015 and the San Sebastian International Architecture Biennale 2017 and the collective exhibitions "Public symphonies", 2014, MAXXI, Rome; "The way things go", 2015, Monoambiente Gallery, Buenos Aires and "Las Voces del GPS", 2017, CentroCentro, Madrid.

They have been speakers at various universities, institutions, and conferences, among which "J.E.I. 2017: Glitch futures. Data speculation, technocosmology and dispossession in times of accelerated capitalism" stand out, CA2M, Madrid; "Radical Networks", 2018, Berlin, "IAM Weekend 2019", Barcelona and the editions of the years 2017 and 2019 of the "RIXC Art & Science Festival" in Riga.

Winners of a Europan 13 first prize in Marl, Germany, won a selection at the 2017 FAD Awards and have been finalists for the Arquia Proxima Awards 2014 and 2016. Their work is part of the permanent collection of the Architekturmuseum: Pinakothek der Moderne from Munich. They are currently finalists for the FAD 2019 awards.
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Burr. Burrs are rough edges, imperfections and remnants that appear in a process of alteration. Burr is an experimental architecture practice led by Elena Fuertes, Ramón Martínez, Álvaro Molins and Jorge Sobejano. Amanda Bouzada and Jesús Meseguer complete the team. Burr was before architecture firm "Taller de Casquería".

Winners of a Europan 13 first prize in Marl, Germany, won a selection at the 2017 FAD Awards and have been finalists for the Arquia Proxima Awards 2014 and 2016. Their work is part of the permanent collection of the Architekturmuseum: Pinakothek der Moderne from Munich. Finalists for the FAD 2019 awards.
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Published on: May 19, 2020
Cite: "Formulas for use and occupation in the industrial heritage of Madrid. Pilarica 81 by Taller de Casquería" METALOCUS. Accessed
<https://www.metalocus.es/en/news/formulas-use-and-occupation-industrial-heritage-madrid-pilarica-81-taller-de-casqueria> ISSN 1139-6415
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