The exhibition presents the results of the intense relationship and collaboration between Le Corbusier and Heidi Weber, owner of a modern furniture and interior design gallery in Zurich between 1958 and 1965.
A great admirer of Le Corbusier, Weber made a decisive contribution to the knowledge and dissemination of his plastic and graphic work, as well as supporting the relaunch of the edition and production of iconic furniture that Le Corbusier had developed in 1928 with Pierre Jeanneret and Charlotte Perriand.
In 1960, Heidi Weber commissioned Le Corbusier to create La Maison de l'Homme in Zurich, conceived as a cultural center that would collect his plastic work, tapestries, furniture, and books in order to create an exhibition space that would promote his works. of the architect.
The building was inaugurated in 1967 after the death of the architect, the Heidi Weber Museum – Le Corbusier Center in Zurich can be considered a manifesto showing the "synthesis of the arts" that Le Corbusier pursued throughout his life:
A great admirer of Le Corbusier, Weber made a decisive contribution to the knowledge and dissemination of his plastic and graphic work, as well as supporting the relaunch of the edition and production of iconic furniture that Le Corbusier had developed in 1928 with Pierre Jeanneret and Charlotte Perriand.
In 1960, Heidi Weber commissioned Le Corbusier to create La Maison de l'Homme in Zurich, conceived as a cultural center that would collect his plastic work, tapestries, furniture, and books in order to create an exhibition space that would promote his works. of the architect.
The building was inaugurated in 1967 after the death of the architect, the Heidi Weber Museum – Le Corbusier Center in Zurich can be considered a manifesto showing the "synthesis of the arts" that Le Corbusier pursued throughout his life:
"There are no sculptors alone, no painters alone, no architects alone. The plastic event is accomplished in a 'ONE FORM' at the service of poetry".