From October 23 to 26, Valencia opens its doors once again for the eighth edition of the Open House Valencia architecture festival. Featuring 20 urban routes, four guest municipalities, and 76 buildings and architectural spaces, this new edition offers an engaging program that will continue into November.

From a former circus once used for cockfights—now transformed into an art gallery—to a journey inside the body of an iconic figure located in the Turia Gardens, the festival aims to bring architecture closer to the public, inviting people to discover spaces that usually remain hidden, as well as the stories and processes that shape them.

Among the projects featured in this eighth edition of Open House Valencia, METALOCUS highlights several iconic buildings and spaces in the city that will be open to the public over the weekend.

Official poster. Open House Valencia 2026.

Official poster. Open House Valencia 2026.

Employment and Training Center, by VAM10 Arquitectura y Paisaje, 2026.
The Employment and Training Center is part of an urban regeneration strategy aimed at revitalizing the Cabanyal neighborhood. The project occupies two plots previously used for workshops, now housing a new training program designed for local residents seeking their first job. The building includes classrooms, workshops, and administrative offices, creating a space dedicated to learning and the development of new professional opportunities.

Employment and Training Center by VAM10 Architecture and Landscape, 2026. Photograph by Alejandro Gómez Vives.

Employment and Training Center by VAM10 Architecture and Landscape, 2026. Photograph by Alejandro Gómez Vives.

Hortensia Herrero Art Center, by ERRE, 2023.
This project was created to house the private collection of patron Hortensia Herrero, which includes works by artists such as Andreas Gursky, Anselm Kiefer, Georg Baselitz, Anish Kapoor, and Mat Collishaw, among others. The intervention involved the restoration of the former Palacio Valeriola—a 17th-century Baroque building located in the heart of Valencia.

Throughout its history, the building has served various purposes and undergone numerous transformations, eventually falling into disuse and abandonment in recent decades. Its rehabilitation has restored this piece of historical heritage, giving it a new life as a space dedicated to contemporary art.

Hortensia Herrero Art Centre by ERRE, 2023. Photograph by David Zarzoso.

Hortensia Herrero Art Centre by ERRE, 2023. Photograph by David Zarzoso.

Sornells 21, by Paloma Bau + T.O.T Studio
Located at 21 Sornells Street—a pedestrian thoroughfare connecting the Ruzafa Market to the neighborhood’s residential fabric—Sornells 21 offers a new workspace designed to accommodate both the studio’s own team and a small community of creative professionals.

The proposal stems from a clear concept: to reinterpret everyday scenes from urban life in Tokyo and translate their atmosphere into a flexible workspace in Valencia. In doing so, the project explores new ways of inhabiting work environments, blending urban references, communal living, and adaptability to various professional dynamics.

Sornells 21 by Paloma Bau + T.O.T Studio. Photograph by David Zarzoso.

Sornells 21 by Paloma Bau + T.O.T Studio. Photograph by David Zarzoso.

Casa Nido, by Iterare Arquitectos, 2025.
Casa Nido is conceived as a single, pure, and elemental volume, organized around an interior courtyard. The project serves as an exercise in protecting and highlighting the architectural heritage that still remains in Torrefiel, a peripheral neighborhood in northern Valencia.

The intervention preserves the original building’s envelope—a shell of solid brick and lime render—which acts as a shelter for the new architecture developed within. The project thus establishes a dialogue between the existing structure and the contemporary, preserving the memory of the original building while introducing new ways of inhabiting it.

Casa Nido by Iterare arquitectos, 2025. Photograph by David Zarzoso.

Casa Nido by Iterare arquitectos, 2025. Photograph by David Zarzoso.

Gulliver Park, by Rafael Rivera and Mateo Signes, 1990. Photograph: Rafael Rivera
Following years of proposals and revisions, the Gulliver Park project emerged from a meticulous study of the program, structured around three fundamental principles: to remember, to question, and to study. The result is a vast play area where a variety of activities converge, centered on a figure instantly recognizable to generations of children: the literary character Gulliver.

Thirty-five years after its inauguration, the park remains one of Valencia’s most iconic and beloved spaces. Its playful design transforms the character’s own body into a territory for exploration, play, and discovery—demonstrating how architecture can translate a literary reference into a collective experience that endures in the city’s memory. 

Gulliver Park by Rafael Rivera, Mateo Signes, 1990. Photograph by Rafael Rivera.

Gulliver Park by Rafael Rivera, Mateo Signes, 1990. Photograph by Rafael Rivera.

In addition to these projects, the program offers an opportunity to explore the work of renowned studios and professionals associated with Valencian architecture, such as Ramón Esteve, Fran Silvestre Arquitectos, and Guillermo Vázquez Consuegra, among others.

The program also extends beyond the city of Valencia, featuring activities and visits in municipalities including Godella, Alboraia, Cheste, Algemesí, Benetússer, and Mislata, as well as in the *Pobles del Sud* (the southern districts). This expanded scope allows for the exploration of diverse urban realities and highlights the various ways in which architecture engages with its territory. In addition to building visits, the program includes "Open Walks"—thematic urban routes that invite participants to explore the city accompanied by architects, historians, and other specialists.

Open House Valencia 2026. Photography by Agustina Berta/ METALOCUS.

Open House Valencia 2026. Photography by Agustina Berta/ METALOCUS.

To take part in the various Open House Valencia activities, you can register for free via the OHV app or view the full program at www.openhousevalencia.org. For certain activities, advance registration is required.

Throughout the event, the festival invites you to rediscover Valencia from a fresh perspective, opening the doors to buildings and spaces that offer a deeper understanding of the city’s history and its present. Each visit and tour contributes to building a collective vision of the city, serving as a reminder that architecture gains its true value when it is shared.

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Festival
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OHV Equipment
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Sara Portela i Valls, Amparo Domínguez, Cristina Pérez, Irene Herreras, Roque de la Cruz, Iván Expósito, Juan Manuel Bueno, Laura Bueno, Sandra Pérez, Andrea Peiró, Laura Gilabert, María Luisa Herraiz, Javier Domínguez, Carlos Polo, Patxo Grau, Carlos Llobell.

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Acknowledgments
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Visit València Foundation, Universidad Europea de Valencia, La Gallera, Only YOU Hotel Valencia, Hortensia Herrero Art Centre, ERRE, Porcelanosa, Global Menta, VAM10 Arquitectura y Paisaje, Rafael Rivera, Virginia Lorente, the València Municipal Parks and Gardens Authority, SRstudio, and all the architects, guides, and collaborators.

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Sponsors
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Institutional Sponsor.- Ajuntament de València, AUMSA, Fundació Visit València, València Turisme, Universitat de València, UV Cultura, Ajuntament de Llíria, Llíria City of Music, Visit Llíria, Ajuntament de Cocentaina, Turisme Cocentaina, Ajuntament de Manises, Ajuntament de Xàtiva.
Sede oficial.- Universidad Europea de Valencia.
Media Partner.- À Punt Radiotelevisió Valenciana.
Sponsor.- Cubicup, Tejas Borja, CPS Ingeniería y Arquitectura, Only YOU Hotel Valencia, ZAR Obras y Servicios, Cajamar Caja Rural, TicketRojo, El Corte Inglés.

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23, 24 y 25 de octubre, 2026.

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Location
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Valencia, Spain.

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Photography
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David Zarzoso, David Frutos, Pedro Pegenaute, Alejandro Gómez Vives, Rafael Rivera, Agustina Berta/ METALOCUS.

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ERRE is an architecture studio based in Valencia, Spain, founded by architects Jose Martí, Amparo Roig and M. Ángeles Ros, all trained at the Valencia School of Architecture (ETSA Valencia). With more than 25 years of experience, the studio is made up of a multidisciplinary team that develops a wide range of projects — office, sports, urban, cultural, residential, and hospitality — always with technology and sustainability as the foundation of its methodology.

Some of their most notable and ambitious recent projects include the Roig Arena, the new headquarters of Mercadona, and the transformation of the Port of Valencia. They have also carried out significant heritage rehabilitation projects, such as the buildings that now house the Hortensia Herrero Art Centre and the Grand Hotel Centenari Valencia, managed by ACHM Hotels by Marriott.

Other emblematic works include the Alboraya-Palmaret Metro Station, the Marina de Empresas business school and incubator, and L'Alqueria del Basket, a unique basketball learning building in Europe.

Their awards include the 2024 National Geographic +History Award, the German Design Award Gold in 2023, the iF Design Award in 2023, the ADCV (Association of Design and Visual Communication) Gold Award in 2022, and recognition as finalists for the ASCER Awards (2017) and CSCAE Awards (2022).

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VAM10 arquitectura y paisaje is an architecture, urban planning and landscape architecture practice founded in 2002 by architects Miguel del Rey Aynat, Antonio Gallud Martínez and Juan Ignacio Fuster Marco, together with agricultural technical engineer and landscape designer María Teresa Santamaría Villagrasa. Based in Valencia, Spain, the practice develops projects involving new buildings, renovation and heritage restoration, as well as interventions in landscapes, gardens, parks and public spaces.

The practice's work addresses the relationship between architecture, territory and cultural heritage, incorporating construction, economic and environmental considerations into its projects. Its portfolio includes institutional buildings, public facilities, housing, urban interventions and the restoration of historic and landscaped spaces.

Its projects include the Jardín de las Hespérides in Valencia (2000), the restoration of the Llotja del Cànem in Castellón (2007), the Castellón Trade Fair and Market Complex (2008), the restoration of Biar Castle (2011), the renovation of the Harinera del Grao in Valencia (2022), the Jardí del Temps at Universitat Jaume I in Castellón (2023), and urban regeneration and landscape projects in Bocairent and Ontinyent. The practice has received awards from the Architects' Association of the Valencian Community and has been selected for several architecture and landscape architecture biennials.

Miguel del Rey Aynat (Altea, Alicante, 1948) graduated in Architecture from the Valencia School of Architecture in 1974 and obtained his PhD in Architecture from the same university in 1984. He was Professor of Architectural Design at the Universitat Politècnica de València until his retirement in 2008. Between 1997 and 2008, he directed PAISAR, a research group dedicated to landscape and rural architecture, affiliated with the university's Institute for Heritage Restoration. He has taught in postgraduate programmes focusing on architectural restoration and landscape studies. He is the author of numerous publications on traditional architecture, heritage and the Valencian territory, including Arquitectura Rural Valenciana and Alqueríes i paisatges en l'Horta. His professional career includes recognition from the Architects' Association of the Valencian Community, and he was a finalist for the first Príncipe de Asturias Spanish Architecture Prize.

Antonio Gallud Martínez (Santa Pola, Alicante, 1970) graduated in Architecture from the Universitat Politècnica de València in 1996 and is a lecturer in Architectural Design at its School of Architecture. He is a member of the PAISAR research group, affiliated with the university's Institute for Heritage Restoration. He combines teaching and research with professional practice, working on heritage restoration, public architecture, urban planning and landscape architecture projects.

Juan Ignacio Fuster Marco is an architect and has taught as an associate lecturer in the Department of Architectural Design at the Valencia School of Architecture. He has been a member of the PAISAR research group, combining teaching and research with professional practice. His work encompasses architectural projects, interventions in existing buildings and urban and landscape projects.

María Teresa Santamaría Villagrasa (Catellón) is an agricultural technical engineer specialising in landscape architecture, gardening and botany. She has taught gardening and botany at the Universitat Politècnica de València and conducted research on historic gardens in the Valencian Community. Her publications on this heritage include La Glorieta y el Parterre (1990), El Jardín de Monforte (1993) and El Parque de Ribalta (1995). She has participated in the restoration of gardens and parks and in landscape architecture projects, some of which have received recognition in architecture and landscape architecture competitions in the Valencian Community.

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Paloma Bau is an architecture and interior design studio founded in 2015 in Valencia, Spain. They specialize in comprehensive renovation, interior design, and decoration projects.

They are known for merging architecture with interior design, creating spaces that focus on meticulous attention to detail. They have extensive experience in areas such as interior design, concept stores, complete renovations, and retail. Each space is unique, inspiring, and tells a story rich in detail.

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T.O.T Studio is a creative studio based in Valencia and Barcelona, ​​founded by designer and creative director Ausiàs Pérez. The studio's practice lies at the intersection of culture, design, and technology, developing visual identities, campaigns, and graphic universes for global brands, cultural institutions, and leading artists.

In recent years, T.O.T has established itself as one of the most influential studios in the new Spanish creative scene: a bridge between brands and culture, capable of translating contemporary sensibilities into solid, relevant, and impactful visual systems.

The studio has worked on international campaigns for Nike, Google, Disney, Coca-Cola, and Universal, and on the visual construction of some of the most influential artists on the current scene—Rosalía, Quevedo, FKA Twigs, Yung Beef, and Karol G.

Each project is approached through a blend of conceptual vision, cultural sensitivity, and technological experimentation, exploring how new tools can expand creative processes without losing authenticity or human depth.

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Iterare arquitectos. Architecture firm founded by architects Rubén Gutiérrez and Pedro Ponce, Iterare takes its name from a term of fractal geometry by Benoît Mandelbrot.

Rubén Gutiérrez Rodríguez was born in Zaragoza (Spain) in 1988. He currently lives and works in Valencia. He graduated as an architect in 2012 from the ETSA in Valencia, with the distinction “academic excellence”. Wins the first prize at Cátedra Blanca's competition and received different scholarships for research work to be developed together with architecture professors in the ETSAV, as well as the Promoe program, with which he travels to Japan under the direction of Kitagawa Keisuke in the city of Nagoya. During his stay, he realizes several workshops, acquiring recognition from Igarashi Jun and Shinohara Keisuke. Japanese influence will stay in his future mindset.

After graduating, he works in Japan for Shinto Tsushin as an architect and designer. With the acquired experience, starts in 2014 at Iterare arquitectos, along with Pedro Ponce, settling in Valencia.

Pedro Ponce Gregorio was born in Albacete (Spain) in 1988. PhD in Architecture by the UPV. Starts his activity as a researcher with a scholarship from the same university (Scholarships to excellence program, 2012). Under the direction of University Professor Jorge Torres Cueco, he develops the doctoral thesis El Gran Palais, Project and architecture in the Soviets Palace by Le Corbusier and Pierre Jeanneret, which, among other achievements, allows him to curate the exhibition “Le Corbusier. Paris n ́est pas Moscou”.

He currently combines his activity as a researcher with architecture as a partner in Iterare arquitectos.
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Guillermo Vázquez Consuegra (b. Sevilla, Spain 1945). Gold Medal of Spanish Architecture 2016, Spanish Architecture Prize 2005, Andalusia Architecture Prize 2007, Arpafil Prize (Guadalajara, Mexico) 2006, Grand Prize of the International Biennial of Buenos Aires 2011 and Honorary Member of the American Institute of Architects, AIA 2014. His works have received numerous awards, among which are the ArchDaily Building of the 2018 Year Award, The 2015 Plan Award, The Chicago Athenaeum Museum 2015 and 2018 International Architecture Awards, 2014 Iberoamerican Biennial Prize, Ugo Architecture European Prize Rivolta 2008, 2006 ASCER Award, CEOE Foundation Award 2001 and Construmat Prize 1989.

He has participated in multiple exhibitions highlighting the Biennale di Venecia 1980 and 2004, the Triennale di Milano 1988, Center Georges Pompidou Paris 1990, The Art Institute of Chicago 1992, The Museum of Modern Art New York 2006, RIBA London 2007, DOMUSae Madrid 2010, BIAU Rosario, Argentina 2014 and The Chicago Athenaeum: Museum of Architecture and Design 2016 and 2018.

Among its main achievements are the Caixaforum Sevilla Cultural Center (2017), the Ministère des Affaires Etrangères et Europèennes in Luxembourg (2017), the Seville Conference Center (2012), the social housing buildings in Madrid (2012), Rota ( 1998) and Seville (1987), the San Telmo Palace in Seville, the Andalusian Government Presidency (2010), the National Museum of Underwater Archeology in Cartagena (2008), the Tomares City Council in Seville (2004), the Ordination of the Maritime Edge of Vigo (2004), the Museum of the Enlightenment in Valencia (2001), the Museum of the Sea in Genoa (2001) and the Navigation Pavilion Expo'92 Seville (1991).

He has been Project Professor at the University of Seville, Visiting Professor at the Universities of Buenos Aires, Lausanne, Pamplona, ​​Syracuse New York, Bologna, Venice, Mendrisio and Visiting Scholar at the Getty Center in Los Angeles. He is currently an Honorary Professor at the University of Seville where he directs the Catedra Blanca project workshop.

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Fran Silvestre Arquitectos is an architecture studio based in Valencia, founded in 2005 by architect Fran Silvestre. The studio operates from the former workshop of sculptor Andreu Alfaro, a 7,000 m² space where a multidisciplinary team of more than 50 professionals develops projects. Its work encompasses residential, cultural, corporate, and public buildings in different countries, characterized by formal purity, modulation, serialization, and the innovative use of materials and technologies.

Fran Silvestre was born on July 5, 1976, and graduated in Architecture from the School of Architecture of Valencia in 2001, obtaining his degree with honours. One year later, he completed his qualification as an urbanist at the Technische Universiteit Eindhoven (TU/e), also with the highest distinction. He holds a PhD in Architecture from the Polytechnic University of Valencia, where he earned a Doctorate in Design with the distinction Cum Laude.

His professional education was further enriched by a fellowship to work in the studio of Portuguese architect Álvaro Siza, recipient of the Pritzker Prize, with whom he has maintained professional collaborations since then. In parallel, he has pursued an intense academic career: he has been a professor in the Department of Architectural Design at the Polytechnic University of Valencia since 2006 and at the European University since 2009. In 2011, he was appointed Deputy Director of the School of Architecture of Valencia, and in 2018, he was awarded the Victor L. Regnier Chair at Kansas State University (KSU), in the United States. He currently also directs the March Postgraduate School in Architecture and Design. He is the great-grandson of Valentín Silvestre Fombuena, who, according to the records of the Spanish Patent and Trademark Office, was the most prolific inventor in the second half of the nineteenth century.

Throughout his career, he has received numerous awards, including the Fundación Caja de Arquitectos Prize (2001), the COACV Architects’ Association Award (2010), and the Red Dot Design Award (2013). In 2012, he was appointed Ambassador of Spanish Architecture in the United States by the Ministry of Culture and Sport. He has also received the NYCxDESIGN Award (2016), the German Design Award on several occasions (2016, 2020, 2021, and 2024), the IF Design Award (2021), and the Bronze Delta Award at the ADI Awards (2024), as well as the first prize at the XIII Spanish Biennial of Architecture and Urbanism (BEAU) in the design category. In 2022, he was awarded the First Prize with a Gold Medal in the Architecture category by the International Federation of Architects and Designers.

His work has been exhibited at international museums and institutions such as the Museum of Modern Art (MoMA) in New York and the Serralves Museum in Porto, and he has been invited to lecture at universities and institutions including KSU, the American Institute of Architects (AIA) in New York, and Virginia Tech. His projects have been widely published in leading architectural journals such as Architectural Record, GA Houses, On-Diseño, and Interni, as well as by major publishers including Phaidon, Taschen, Thames & Hudson, and GG. Several monographs have documented the studio’s work, including those published by TC Cuadernos, A.Mag, and Arianuova, with particular note of the monograph published by Rizzoli (New York), featuring texts by critic Philip Jodidio.

Projects by Fran Silvestre Arquitectos are located across countries, including China, the United States, Brazil, Thailand, Egypt, Croatia, Italy, Australia, and Spain. Throughout its trajectory, the studio has worked on projects of both small and large scale. Notable works include the Atrium House (2009), the House on the Slope of a Castle (2010), the Cliff House (Alicante), the Balint House (Valencia), the Hollywood Hills House (Los Angeles), the Sabater House (Orihuela), the Zibo Master Plan (China), the Boutique Hotel in Vis (Croatia), and the Wind Tower (Valencia).

The studio’s architecture is deeply influenced by the work of Álvaro Siza and Andreu Alfaro. According to critic David Cohn, Fran Silvestre’s work is not driven by a search for a lost authenticity nor by the pursuit of the perfect geometry of form, but rather by the creation of environments that, through abstraction and precise architectural intention, elevate everyday life toward a more intense and conscious engagement with the surrounding environment.

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Ramón Esteve is an architecture studio founded in 1991 with the conviction that architecture is a global discipline. They have formed a team of professionals connected by the pursuit of a common goal: to generate creative responses in our environment by creating unique places, objects, and brands. Today, the studio is a place where architects, designers, and creatives work together to develop projects with character.

For them, architecture and design are complementary disciplines that enrich each other and, in some ways, are inseparable. They begin any project by paying attention to all its parameters to achieve a result with maximum clarity, simplicity, order, and harmony. Their identity is evident in their work. Their commitment to a job well done compels them to focus on the details and take care of the complete development of an idea. What is initially just a thought or an idea evolves with effort and perseverance to become a reality, a space, or an object.

Ramón Esteve Cambra, born in Valencia on August 25, 1964, earned his degree in architecture from the Madrid School of Architecture in 1990, and founded his studio, Ramón Esteve Estudio, the following year. In 1996, he earned his doctorate in Architecture from the Polytechnic University of Valencia, where he served as an associate professor from 2005 to 2018.

His studio has developed a wide range of projects, including single-family homes, public healthcare, educational, and cultural projects, as well as furniture design. His most notable works include Casa Na Xemena in Ibiza (2003), the Príncipe Felipe Research Center in Valencia (2004), and the renovation of the Bombas Gens building in Valencia (2018), for which he received the Land Rover Born Award. In the field of industrial design, he has collaborated with various firms, creating collections such as Origami for Vibia (2009) and Faz for Vondom (2010). Throughout his career, he has received multiple awards, including the ADCV Award in 2011 for the LINK collection for Vibia and the Best of Year Interior Design Award in 2015 for the Ulmm Daybed for Vondom.

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Published on: October 25, 2026
Cite:
metalocus, AGUSTINA BERTA
"Experience architecture from the inside. Open House Valencia 2026 has begun" METALOCUS. Accessed
<https://www.metalocus.es/en/news/experience-architecture-inside-open-house-valencia-2026-has-begun> ISSN 1139-6415
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