One of the most influential works of Modern architecture is the well-known Penguin Pool / Penguin Pool, held at the Regent's Park Zoo in London, by the Georgian-born architect Berthold Lubetkin, in 1934.
Lubetkin had emigrated from Soviet-era Georgia to the United Kingdom in 1931, where he created the firm Tecton, whose first projects were for the London Zoo. Influenced by the Russian Constructivist sculptor Naum Gabo, brother of Antoine Pevsner (pioneer of kinetic art) and by the conductivist theories of the 1930s.

Lubetkin with the collaboration of engineers Ove Arup and Felix Samuely, in 1934, unveiled its famous spiral "Penguin Pool", quickly becoming an exquisite example of modern architecture. The result was a pair of ramps that intertwine, cantilevered over the elliptical pool and is considered a historical project, both in terms of architectural design and engineering.

Tecton's innovative design was unusually elegant and dynamic, and one of the first to better experience the possibilities of reinforced concrete, in situ in complex and load-bearing shapes.

Unfortunately, the pool, created by Lubetkin, has been empty for 15 years. In 2004 it ceased to be the home of the penguin colony, because the penguins contracted a bacterial infection called bumblefoot, by micro abrasions caused by walking on the concrete, and relocated to one of the zoo's duck ponds.

As so often happens, the problem was not the architect's original design, but the maintenance and subsequent reforms.

The controversy has arisen after the declarations of the daughter of Berthold Lubetkin, Sasha Lubetkin, to a local newspaper the Evening Standard and the answer of the conservative architect John Allan.

Lubetkin had consulted with the biologist Julian Huxley at that time to ensure that the design of the enclosure was better suited to the needs of the penguins, but as commented by John Allan, who wrote Berthold Lubetkin's biography and worked on the restoration of the Penguin Pool in the 1980s. The flaws of the enclosure the result of decisions made by London Zoo, rather than the designers.
 
"The original poolside paving was largely rubber, for the penguins' comfort, but was replaced by the zoo with concrete. In the restoration project we were required to apply a layer of quartz granules to the ramp surfaces for the benefit of the keepers but to the discomfort of the penguins," Allan wrote and also added that the enclosure had been originally designed for an Antarctic species of penguins who like to huddle together. The zoo switched to South American Humbolts, who prefer to burrow, rendering the original nesting boxes unsuitable.

Even though the Zoo has "no current plans" for Penguin Pool, and obviously, the structure now isn't suitable for penguins on welfare grounds, however a "more imaginative use" could be found.

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José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

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Published on: January 9, 2019
Cite:
metalocus, JOSÉ JUAN BARBA
"Should the Penguin Pool be restored for historical value, or should it exist only as images of an utopia?" METALOCUS. Accessed
<https://www.metalocus.es/en/news/should-penguin-pool-be-restored-historical-value-or-should-it-exist-only-images-utopia> ISSN 1139-6415
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