Architecture practice ODA has completed the first phase of POST, a 152-meter mixed-use tower rising behind Rotterdam’s historic former Central Post Office. Developed by Omnam Group, the project brings together residential, retail, and hospitality uses.

The tower marks the first phase of a broader redevelopment that also includes the restoration of the former post office, designed by Gustav Cornelis Bremer and built between 1916 and 1923. Known as the Postkantoor, the building was one of the few major structures in Rotterdam’s historic center to survive the bombing of the city in 1940.

The new tower, designed by ODA, extends over the existing courtyard of the Postkantoor along the Rodezand wing. Its elevated, vaulted base draws on the arched design of the building’s Grand Hall, while the 4.9-metre rhythm of the historic façade’s columns is carried through into the tower’s external grid.

ODA sought to offer an alternative to the conventional glass-clad skyscraper, developing an envelope that incorporates masonry and a form that responds to the verticality of both the Postkantoor and the neighbouring City Hall. The façade combines a varied sequence of interlocking arches and vertical columns made from prefabricated glass-fibre-reinforced concrete panels, brickwork, and a modular aluminium curtain-wall system.

With this first phase now complete, work continues on the historic part of the complex. The 22.5-metre-high vaulted Grand Hall is currently being restored by a team that includes ODA and Braaksma & Roos Architectenbureau, the latter serving as the monument architect and overseeing the heritage requirements of the complex.

POST tower by ODA. Photograph by Ossip van Duivenbode

POST tower by ODA. Photograph by Ossip van Duivenbode.

Project description by ODA

Global architecture, interior design, and landscape architecture firm, ODA, has completed the first phase of the highly anticipated POST project in Rotterdam, a new tower rising at the rear of the historic Postkantoor, the city's former Central Post Office. Located in Rotterdam's city center, this historically significant building stands as a testament to the inextinguishable spirit of the city. Designed by Gustav Cornelis Bremer and constructed between 1916 and 1923, the Postkantoor was one of the only original structures still standing after the Rotterdam Blitz, the 1940 aerial bombardment that leveled nearly all of the city's historic core. 

Rotterdam has long been defined by its spirit of bold architectural experimentation. POST is designed to re-energize Rotterdam's city center through a combination of residential, retail, and hospitality that encourages gathering, movement, and civic engagement. The project is aligned with Rotterdam's vision for a greener, more accessible urban core, and reflects ODA's conviction that architecture's highest purpose is to strengthen the connection between people and the places they share. 

POST tower by ODA. Photograph by Ossip van Duivenbode.
POST tower by ODA. Photograph by Andrew Campion.

Now complete, the new 155-meter tower, among the tallest in Rotterdam's city center, straddles the existing open courtyard at the Rodezand wing, developed by Omnam Group and designed by ODA as architect and interior designer, with abt serving as Tower Architect of Record. From the moment of its conception, the tower was designed not as an addition to the Postkantoor but as an extension of it. The vaulted plinth, the elevated base that lifts the tower above the courtyard, mirrors the arched, vaulted language of the Great Hall below, effectively twinning the two structures so that moving through the courtyard feels like passing between two related architectural moments separated by a century. The five-meter column rhythm of the original Postkantoor's facade is carried into the tower's stone grid, so the new building reads as a contextual and vertical continuation of the old one, even from a distance. Where Rotterdam's contemporary skyline is largely defined by glass curtainwall towers, POST draws instead from the arched and Gothic verticality of the Great Hall and City Hall next door, reinterpreted through a meticulously abstracted modern architectural language. 

Torre POST por ODA. Fotografía por Andrew Campion.
POST tower by ODA. Photograph by Ossip van Duivenbode.

The tower's facade is composed of custom-designed staggered arches and vertical columns crafted from glass fiber-reinforced concrete (GFRC) panels, prefabricated three-dimensional shapes engineered to evoke the warmth and texture of limestone, paired with brick chosen to echo the materiality of the Great Hall, and an energy-efficient unitized aluminum curtain wall system. The result is a building unlike anything else on the Rotterdam skyline: one that is unmistakably of its moment while remaining in deep, deliberate conversation with its surroundings. The precision required to install these elements to meet the performance demands of a modern tower, while working adjacent to a protected national monument, reflects the rigor that has defined the project from the outset. 

In the next phase, a new entrance will be cut into the Rodezand façade, allowing POST to be entered from three sides—Coolsingel, Meent, and Rodezand—transforming what was once a sealed civic monument into a passageway that visitors will be able to move through freely. Cafes, galleries, restaurants, and retail will line the interior, with open sight lines extending directly to the street, dissolving the boundary between inside and outside and capturing ODA's design ethos that "Porosity Leads to Prosperity", the belief that when a building opens itself to the city, it returns value to everyone around it. POST will not simply be a building to inhabit; it will become a place to move through, linger in, and belong to. 

POST tower by ODA. Photograph by Ossip van Duivenbode.
POST tower by ODA. Photograph by Ossip van Duivenbode.

At street level, the majestic Great Hall, a vaulted marvel soaring 22.5 meters (nearly 74 feet) in height, is currently undergoing a faithful restoration, led by Omnam Group as developer and strategic visionary, ODA as architect and interior designer, and Braaksma & Roos Architectenbureau as Monument Architect of Record and Heritage Supervisor. The landmark is set to become a mix-used hub to re-energize Rotterdam's city center through a combination of residential, retail, and hospitality programming.

More information

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Architects
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ODA. Lead Architects.- Eran Chen.

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Project team
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Eran Chen AIA, Michael Unsicker AIA, Ryoko Okada, Katherine Mendez, Audrey Topp, Jessica Schoen, Kevin Muni, Matt Hallstein, Matt Adler, Khue Truong, Prachi Bhinde, Yaarit Sharoni, Juan Roque Urrutia, Steven Kocher, Saranya Kanagaraj, Natsumi Oba, Zach Zeller, James Moulder, Matthew Rosen, Nofar Ashuri, Charlotte Ensign.

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Collaborators
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Monument Architect of Record, Restoration Architect, Heritage Supervisor.- Braaksma & Roos Architecten.
Tower Architect of Record, Acoustical, Fire Life Safety.- abt
Renderings.- Forbes Massie - The Greypixel - Visualisation One.
Animation.- Brooklyn Digital Foundry.

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Client
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OMNAM Group.

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Area / Dimensions
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New Residential Tower.- 33,500 m² / 305 apartments (102 for sale and 203 for rent) distributed over 43 floors. 
Historic Post Office Building.- 24,500 m² / 5-star Kimpton Hotel (224 rooms), retail and restaurants. 
Total Complex Area.-  58,000 m² Combined built area (GFA) of the adaptive project.

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Dates
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Completion.- 2026.

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Location
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Coolsingel 42, 3012 AA Rotterdam, The Netherlands.

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Photograph / Video
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Ossip van Duivenbode, Andrew Campion. Drone Videography.- Joost van Brug.

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ODA is a New York-based architecture and design firm. In the nine years since their inception, they have designed 45 buildings in NYC, encompassing a broad range of scales and typologies.

Eran Chen AIA, LEED®, is ODA's founder and executive director. Chen is known for creating buildings that are radically innovative as well as fiscally and ecologically responsible. Since its inception in 2007, ODA has quickly become one of the most prolific and influential firms of its kind. Having developed groundbreaking residential projects in New York, Chen's work has been widely featured in such publications as The New York Times, New York Daily News, New York Spaces, Architectural Digest, Interior Design, and World Architecture News, among others. Chen's contributions to architecture have been recognized by the American Institute of Architects (AIA) and the Boston Society of Architects (BSA). He received a B.Arch Diploma with Honors from the Bezalel School of Art and Design in Jerusalem, where he serves on the board and as a guest lecturer. He is a registered architect in the State of New York and Boston and a member of The American Institute of Architects. Before founding ODA, Chen served as a principal at Perkins Eastman NYC.

P. Christian Bailey, AIA, LEED(r), studied architecture at Virginia Tech in Blacksburg, Virginia. After graduating with a Bachelor of Architecture, he worked with design/build firms in Atlanta on various notable housing and furniture projects. Before ODA, Christian was a senior associate at Perkins Eastman Architects in New York City. During his seven years at the firm, Christian provided project management and design leadership for multifamily housing, hospitality, interiors, health care, and educational projects. Christian is a founding principal of the architecture and design practice, ODA. He is a registered architect in the State of New York, a member of the American Institute of Architecture, a LEED-accredited professional and is best known for his mildly sympathetic manner and generally nonplussed attitude toward everything.

Ryoko Okada. As Principal and Director of Interior Architecture / Design, Ryoko Okada leads a team of skilled professionals to produce highly original, custom solutions for residential, hospitality and commercial clients. Her passion and sophisticated sense of colour, grounded in a knowledge of materials and finishes combine to form a distinguished vision that provides for uniquely innovative and memorable creations. Ryoko, a certified interior designer in the State of New York, has had an extensive history of working on a variety of interior and architectural design projects in the United States and abroad. Her broad professional experience includes numerous hospitality, residential, retail, and theatre projects. She also has years of experience in creating client-specific custom finishes and furniture designs. Ryoko received a Bachelor’s degree in Industrial Design from Chiba University in Japan and a Master’s degree in Interior Design from Pratt Institute in New York. Before joining ODA her other selected firm experiences include Jeffrey Beers International, Rockwell Architecture, Planning and Design, Perkins Eastman and Hardy Holzman Pfeiffer Associates. Her work has been featured in Architectural Digest, Hospitality Design, Interior Design and New York Spaces, among others.
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Published on: August 15, 2026
Cite:
metalocus, SARA GENT
"ODA crowns Rotterdam’s historic post office with a sweeping new tower" METALOCUS. Accessed
<https://www.metalocus.es/en/news/oda-crowns-rotterdams-historic-post-office-sweeping-new-tower> ISSN 1139-6415
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