This year is celebrated the 100th anniversary of the birth of one of the architects of reference in Spanish architecture of the twentieth century.
The next October 12 will be the anniversary of this exceptional architect, Francisco Javier Sáenz de Oiza (Cáseda, Navarra, 1918 - Madrid, 2000). He studied at the Escuela de Madrid, graduating in 1946 and obtaining the Aníbal Álvarez prize for the best academic record, which allowed him to get a scholarship from the Real Academia de Bellas Artes de San Fernando to travel to the United States in 1948, a trip that would be fundamental the rest of his life.

The rest of his life will combine teaching and professional life. His work is diverse, complex and eclectic, without typecasting, without a clear identity in terms of style, and with multiple references and influences. Among them the sculptor Jorge Oteiza.

Of all his works, what I consider to be his masterpiece is the current Castellana 81 building, known since its creation by different generations of architects such as Banco Bilbao (1974-1981). With this exceptional photo-essay, made by Miguel de Guzmán (Imagen Subliminal), focused on its best building, we started the year of celebrations.

With an overwhelming personality, Francisco Javier Sáenz de Oiza will be one of the key figures to understand many generations of architects especially the last third of the century. If you want to know more about the building and its restoration follow the links of previous articles published in METALOCUS.
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Architects
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Building Author.- Francisco Javier Sáenz de Oiza; Renovation project author.- Antonio Ruiz Barbarin.
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Team
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Ruiz Barbarin Arquitectos, S.L.P.- Antonio Balguerías Chico de Guzman, architect. Marta Muñoz, architect, María de Lorenzo, architect, Fernando Martínez, architect, Jose Ángel Delgado, architect. Gonzalo Sallés Fdez-Pacheco, Execution Direction.- Beatriz Llamas and Marta Soria.
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Collaborators
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ITA Ingeniería, S.L.P. Structural Engineering.- Carlos Fernández Casado, S.L. Installations Engineering.- Solventa, S.L. Technical Assistance of facades.- Enar Envolventes. Security and health.- SGS. Leed stamp.- Ove Arup & Partners, S.A. Project Manager.- Gleeds Ibérica.
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Landscape Design
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Luis Vallejo.
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Constructor
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OHL.
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Developer
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GMP.
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Area
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48.200 m².
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Dates
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2013-17.
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Venue
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Pº de la Castellana 81, Madrid, Spain.
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Furniture
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Furniture advice.- Mairea Proyectos.
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Francisco Javier Sáenz de Oíza. (Cáseda, 12 October 1918 - Madrid, 18 July 2000) was a Spanish architect and influential practitioner of the modernist movement in Spain. He studied architecture in Madrid. After a study trip to the United States, in 1949 he returned to Madrid where he started teaching at the School of Architecture, later becoming its director. Among the numerous awards he received in Spain are the National Architecture Award (1954), the Gold Medal for Architecture (1989) and the Prince of Asturias Award (1993). Sáenz is considered to be one of the most influential Spanish architects during the second half of the 20th century. He died of cancer in 2000.

One of his most notable projects was the Torres Blancas high-rise apartment and office building in Madrid. With a height of 71 metres, it was built between 1964 and 1969. The façade consists of cylindrical volumes crowned by round overhanging balconies. Other notable projects include the Arantzazu Basilica in Oñati, the Torre Triana administrative building in Seville, the Spanish embassy in Brussels, the Public University of Navarra in Pamplona, the remodelling of an old palace in Las Palmas, Gran Canaria, into the Atlantic Centre of Modern Art, and the Banco de Bilbao Tower in Madrid.
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Antonio Ruíz Barbarín. Born in Corella, Navarra, since 1985 he is an architect by ETSAM with Honorary Degree, being awarded the Extraordinary Prize and Nº1 of the Promotion.  Doctor Cum Laudae for the E.T.S.A.M, with the thesis "Luis Barragan in front of the mirror. The Other Look ". (September 2004). He has been professor since 1989, and since 2012 professor in the Department of Architectural Projects of ETSAM.

During his career, he has combined teaching and research with some editorial work. During the years 1.985 to 1.987 was co-founder and co-director of the Architecture magazine "El Croquis International", in addition, he´s co-author of the book "Spanish Contemporary Architecture 1,975 -1,990". (Editorial El Croquis), with which he obtains the COAM 1.989 Award and "Madrid looks at his statues" (Madrid VII City Hall award in urban research), and is also the author of "Luis Barragán in front of the mirror. The Other Look ", (Editorial Fundacion Caja de Arquitectos, 2008). Now he has just published the books "Pretexts to talk about architecture" (Editorial Nobuko, 2012) and "Seventy steps. The ladder in time and space" (Caser Foundation) as a result of three years of research and this year has won the COAM 2013 Award.

He is curator of the exhibition "35+ Arquitectura Española 1975 - 2010. 35+ Building in Democracy", itinerant in Athens and Nicosia, Cadiz and Madrid. His work, with a high percentage in the field of rehabilitation, is carried out in different countries, having been published in different books and magazines, both national and foreign. His work has won national and international awards, among them the COAM 2013 Prize for the rehabilitation of the new headquarters of the law firm Cuatrecasas in Madrid and COAM 2015 Award for the rehabilitation of the office building sito en c / Génova 17 in Madrid.
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Miguel de Guzmán born in Rio de Janeiro in 1972. He is an architect (ETSAM. 1998) and also architectural photographer. He has been professor in the Graphic Ideation Department at CEU Architecture School and the Photography Department of Istituto Europeo di Design in Madrid. Since 2008 Imagen Subliminal is the broadcast platform through which he shows his work as photographer and videographer. As an Architect, he has been awarded with the Dionisio Hernadez Gil Prize for the Diocesan Priest House in Plasencia (work done together with Andres Jaque and Enrique Krahe), and was selected for the 2005 Spanish Architecture Bienal. As a Photographer he has been finalist in ABC Journal Art Awards 2000, El Mundo Photography awards 2001. He has participated in solo and group exhibitions (Circuitos de Arte Joven, Galeria Vírgenes, Photo España…). The book "Miguel de Guzmán Architectural Photography" contains a selection of photographs taken between the years 2003 and 2013, and which give example of a new way in the making of architectural photography.

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José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

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Published on: January 7, 2018
Cite:
metalocus, JOSÉ JUAN BARBA
"New life for the BBVA of Sáenz de Oiza renovated by Ruíz Barbarín. Photographic essay by Imagen Subliminal" METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-life-bbva-saenz-de-oiza-renovated-ruiz-barbarin-photographic-essay-imagen-subliminal> ISSN 1139-6415
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