Bernard Tschumi (1944) is Principal of Bernard Tschumi Architects, New York and Paris. A theorist, author, educator, and architect, he is known for books including The Manhattan Transcripts and Architecture and Disjunction and built projects including the Parc de la Villette, the Acropolis Museum, Le Fresnoy Center for the Contemporary Arts, and the Vacheron-Constantin Corporate Headquarters, among others.
Tschumi was awarded France’s Grand Prix National d’Architecture in 1996 as well as numerous awards from the American Institute of Architects and the National Endowment for the Arts. He is an international fellow of the Royal Institute of British Architects in England and a member of the Collège International de Philosophie and the Académie d’Architecture in France, where he has been the recipient of distinguished honors that include the rank of Officer in both the Légion d’Honneur and the Ordre des Arts et des Lettres. He is a member of the College of Fellows of the American Institute of Architects.
A graduate of the Swiss Federal Institute of Technology (ETH) in Zurich, Tschumi has taught architecture at a range of institutions including the Architectural Association in London, Princeton University, and The Cooper Union in New York. He was dean of the Graduate School of Architecture, Planning and Preservation at Columbia University from 1988 to 2003 and is currently a professor in the Graduate School of Architecture.
Tschumi’s work has been exhibited at The Museum of Modern Art in New York, the Venice Architecture Biennale, the Netherlands Architecture Institute in Rotterdam, the Pompidou Center in Paris, as well as other museums and art galleries in the United States and Europe.
Bjarke Ingels (born in Copenhagen, 1974) studied architecture at the Royal Academy in Copenhagen and at the School of Architecture of Barcelona, obtaining his degree as an architect in 1998. He is the founder of the BIG architecture studio - (Bjarke Ingels Group), studio founded in 2005, after co-founding PLOT Architects in 2001 with his former partner Julien de Smedt, whom he met while working at the prestigious OMA studio in Rotterdam.
Bjarke has designed and completed award-winning buildings worldwide, and currently his studio is based with venues in Copenhagen and New York. His projects include The Mountain, a residential complex in Copenhagen, and the innovative Danish Maritime Museum in Elsinore.
With the PLOT study, he won the Golden Lion at the Venice Biennale in 2004, and with BIG he has received numerous awards such as the ULI Award for Excellence in 2009. Other prizes are the Culture Prize of the Crown Prince of Denmark in 2011; and Along with his architectural practice, Bjarke has taught at Harvard University, Yale University, Columbia University and Rice University and is an honorary professor at the Royal Academy of Arts, School of Architecture in Copenhagen.
In 2018, Bjarke received the Knight's Cross of the Order of Dannebrog granted by Her Majesty Queen Margrethe II. He is a frequent public speaker and continues to give lectures at places such as TED, WIRED, AMCHAM, 10 Downing Street or the World Economic Forum. In 2018, Bjarke was appointed Chief Architectural Advisor by WeWork to advise and develop the design vision and language of the company for buildings, campuses and neighborhoods around the world.
Pierre Chareau (1883-1950) was an inventor, an innovator who blended materials with extreme attention to detail. If one idea could sum up Pierre Chareau's oeuvre, it would be, as he said himself, “creating with passionate contemplation to best satisfy the needs of our reason and our higher emotions, merged into an admirable beauty of living.” French architect and designer, credited for building his first house in France, made of steel and glass, the Maison de Verre. Chareau was born in Le Havre, France and went to the Ecole Nationale Superieure des Beaux-Arts in Paris, by the time he was 17. His designs are characterized by their complex nature. He was a member of the Congrès International d'Architecture Moderne.
Charles Édouard Jeanneret-Gris was born in La Chaux-de-Fonds, Switzerland on October 6th, 1887. He is best known as Le Corbusier, one of the most important architects of the XX Century that together with Walter Gropius, Ludwig Mies van der Rohe, and Frank Lloyd Wright rise up as the fathers of Modern Architecture. In his long career, he worked in France, Germany, Switzerland, the United States, Argentina, India and Japan.
Jeanneret was admitted to the Art School of La Chaux-de-Fonds in 1902. He knew Charles l’Éplattenier, his first teacher, and he became interested in architecture. He built his first house, Villa Fallet, in 1906, and one year later he set out on his first great journey to Italy. From 1908-1909 he worked in Perret Bother’s Studio, where he focussed on the employment of the concrete, and from 1910-1911 he coincided with Mies van der Rohe in this studio in Berlin.
In 1917, Charles Édouard Jeanneret set up finally in Paris. The next year he met the painter Amedée Ozenfant and he displayed his first paintings and wrote his first book, Après le Cubismo. In 1919 he founded the magazine l´Esprit nouveau, where he published unnumbered articles, signing with the pseudonym Le Corbusier for the first time.
He opened his own Studio in 1922, in the number 35 of the rue de Sèvres. In this decade when his laboratory epoch started he carried out a great number of activities as a painter, essayist, and writer. But also as an architect, he planned some of the most recognizable icons of modern architecture and developed the principles of the free plan. Some of these works are the Villa Roche-Jeanneret, the Villa Savoye in Poissy, and the Siedlungweissenhof’s houses built in Stuttgart in 1927. It should be pointed out that at the same time; he set out the “five points” of the architecture.
Le Corbusier projected “The contemporary three million population city” in 1922 and in 1925 put forward the Voisin plan of Paris, which is one of his most important urban proposals. Three years later, in 1928, through his initiative, the CIAM was created and in 1929 he published his first edition of the Oeuvre Complète.
In the 30s, he collaborated with the magazine Plans and Prélude, where he became enthusiastic about urbanism and he started, in 1930, to elaborate the drawings of the “Radiant City” as a result of the “Green City” planned for Moscu, his project would be summarized in the “Radiant Villa”, which was enclosed with the projects for Amberes, Stockholm, and Paris. By 1931 he presented Argel, a proposal that composed the Obus Plan. And in 1933 the 4th CIAM passed and there he edited the Athens Document.
Le Corbusier, in 1943, developed the “Three Human Establishments Doctrine” and founded the Constructors Assembly for Architectural Renovation (ASCORAL). He made the project the Unite d´habitation of Marsella in 1952, which was the first one of a series of similar buildings. At the same time, the works of Chandigarh in India began, where he planned the main governmental buildings. Nevertheless, in the same decade, he worked in France too, in the Notre-Dame-du-Haut chapel in Ronchamp, in the convent of La Tourette in Éveux, Jaoul’s houses in Neuilly and the Unites d´habitation of Rézé-lès-Nantes, Briey-en-Forêt and Firminy.
He wrote and published his worldwide known study of the Modulor in 1948 followed by a second part in 1953. Meanwhile the next Le Corbusier’s books had a more autobiographic nature, among them the Le poème de l'angle droit (1955), l'Atelier de la recherche patiente (1960) and Mise aupoint (1966) stand out.
Le Corbusier, at the end of his life, created many projects that would not be built, for example, a calculus center for Olivetti in Rho, Milan; a congress in Strasbourg, the France embassy in Brasilia and a new hospital in Venice.
He died drowned on the 27th of August of 1965 in Roquebrune-Cap-Martin.
Hardel Le Bihan has built about 20 projects, with as many again currently on site or at study phase. Projects of all types and scales within the urban fabric: apartments and private houses, office buildings, cultural amenities and university buildings, hotels, schools and nurseries. Headquarters for companies Klésia and PAP in Paris, the Étoile Lilas multiplex cinema, student residences in Dakar, social housing ... The studio's work, a mixture of public and private commissions, is based on a rational and sensitive design process, with a particular interest in how the projects will be used. Radical in its desire to create buildings that are timeless, the practice gives as much importance to the immediate appropriation of a site as to its evolution over time, because architecture must support and accompany changes of use, integrating innovation into the structure itself of the spaces, before accommodating technical means and technological equipment, which themselves will evolve continuously.
In 2017, as part of the Nouvelle AOM collective (Franklin Azzi Architecture, ChartierDalix, Hardel Le Bihan), the practice won the competition for the new Montparnasse Tower in the centre of Paris.
Benoit Jallon. 18th May 1972 Grenoble (fr). Fascinated by the body’s structure with its logical organisation, layers and strata, Benoit Jallon first turned to medical studies. However, his need for involvement and creativity soon led him to begin studying architecture. He graduated from the Villette School of Architecture in 2001 with a special mention from the jury. Curiosity and a thirst for knowledge have led him to travel widely, particularly in Italy.
Umberto Napolitano. 27th November 1975 Naples (it). Umberto Napolitano began his architectural studies in Italy and completed them in France at the Villette School of Architecture where he graduated in 2001 with a special mention from the jury. He rapidly developed a critical approach to the separation between theory and practice. In parallel with his architectural education, he also worked with a number of architects. His involvement in Franco-American workshops has given his work an international flavour and allowed him to absorb other cultures and skills.
LAN (Local Architecture Network) was created by Benoît Jallon and Umberto Napolitano in 2002. LAN has received several awards: the Nouveaux Albums de la Jeune Architecture (NAJA) prize awarded by the French Ministry of Culture and Communication (2004); the International Architecture Award from the Chicago Athenaeum and the European Urban Centre for Architecture, Art, Design and Urban Studies, the Archi-Bau Award, the Special Prize at the 12th World Triennale of Architecture, Sofia (2009); the AR Mipim Future Projects Award and the Europe 40 Under 40 Award (2010). In 2011 the office was awarded at the LEAF Awards with the Best Sustainable Development in Keeping with its Environment prize and at the SAIE Selection Awards.
Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).
The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.
Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.
In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).
His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.
Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.
Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.
Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.
OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).
AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.
AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a coloured "barcode" flag – combining the flags of all member states – that was used during the Austrian presidency of the EU.
AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced exhibitions at the Venice Architecture Biennale, including The Gulf (2006), Cronocaos (2010) and Public Works (2012) and for Fondazione Prada including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its principle publication Elements. Other notable projects are a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.
Moreau Kusunoki Architectes. Architecture studio founded by Nicolas Moreau and Hiroko Kusunoki, in Paris in 2011. Kusunoki, who earned her degree from the Shibaura Institute of Technology in Tokyo, began her career in the studio of Shigeru Ban. Moreau, who trained at the Ecole Nationale d’Architecture de Belleville in Paris, worked in SANAA and Kengo Kuma studios. In 2008, Moreau and Kusunoki left Tokyo together, so Moreau could open Kengo Kuma’s office in France. Notable projects undertaken by Moreau Kusunoki Architectes include the Théâtre de Beauvaisis in Beauvais, the House of Cultures and Memories in Cayenne, the Polytechnic School of Engineering in Bourget-du-Lac, and the plaza for the Paris District Court (designed by Renzo Piano) at the Porte de Clichy.
Renzo Piano was born in Genoa, Italy, in 1937 to a family of builders. He graduated Milan Polytechnic in 1964 and began to work with experimental light-weight structures and basic shelters. In 1971, he founded the Piano & Rogers studio and, together with Richard Rogers, won the competition for the Centre Pompidou in Paris. From the early 1970s to the 1990s, Piano collaborated with engineer Peter Rice, founding Atelier Piano & Rice in 1977. In 1981, he established the Renzo Piano Building Workshop, with offices today in Genoa, Paris and New York. Renzo Piano has been awarded the highest honors in architecture, including; the Pritzker Prize; RIBA Royal Gold Medal; Medaille d’Or, UIA; Erasmus Prize; and most recently, the Gold Medal of the AIA.
Patrick Berger was born in Paris in 1947, he founded the studio Patrick Berger architect in Paris in 1975. Among his main projects and achievements there are the remodeling of the Pavilion of Les Halles, the viaduct of Arts and Andre Citroen Park in Paris, the School Architecture of Brittany in Rennes, the European Union Football Headquarters in Nyon, Switzerland and the monument to the Communications between France and Japan, in Japan. His collaboration with Jacques Anziutti begins in 2005 when they formed the studio Berger Anziutti.
He is the author of several books, including "Panauti, a city in Nepal," "hidden forms, the city", "Lux Sonus" for lessons Thoronet in 2010 and "Animal" (2014).
Rudy Ricciotti was born in Kouba ( Algeria), of Italian origin on August 22, 1952 and he moved to France at the age of three. Rudy Ricciotti spent part of his youth in Port-Saint-Louis-du-Rhône. He studied engineering in Switzerland in 1975 and he graduated from the École Nationale Supérieure d’Architecture de Marseille in 1980.
Rudy Ricciotti represents a generation of architects that combine creative energy and true building culture. Author of large buildings in France, including the National Choreographic Centre of Aix-en-Provence, also gained international renown as the Gate of Peace in Seoul or Nikolaisaal of Potsdam in Germany, the Festival Palace in Venice, the Museum of Contemporary Art of Liège Philharmonic or Gstaad for a Festival created by Yehudi Menuhin.
In 2005, he won the competition for the construction of the library of Rouen. On November 7, 2007, He won the competition organized by the City of Paris for the construction of the new stage of John Bouin2. He was also appointed in 2002 to a flagship project of the second city of France: le Musée des civilisations de l'Europe et de la Méditerranée (MUCEM) in Marseille, as part of the European Capital of Culture 2013 of the city of Marseille.
He is President Al Dante editions since 2007. Al Dante publishes books (poetry, experimental prose and poetry, theoretical essays, catalogs and artist publications, anthologies, magazines), and CD (sound poetry, music), DVDs, newspapers, participates and organizes events (lectures, presentations , symposia, exhibitions ...). He is a member of the editorial board of the magazine L'Architecture d'aujourd'hui.
Rudy Ricciotti is a recipient of: Grand Prix National d’Architecture, Chevalier de la Légion d’Honneur, Commandeur de l'ordre des Arts et des Lettres and Officier de l’Ordre National du Mérite.